| Theatrical Performance (US$) | ||
| South Korea Box Office | $42,859,368 | Details |
| Worldwide Box Office | $1,334,157,082 | Details |
| Home Market Performance | ||
| North America DVD Sales | $34,165,330 | Details |
| North America Blu-ray Sales | $70,460,466 | Details |
| Total North America Video Sales | $104,625,796 | |
| Further financial details... | ||
King T’Challa returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne from factions within his own country. When two foes conspire to destroy Wakanda, the hero known as Black Panther must team up with C.I.A. agent Everett K. Ross and members of the Dora Milaje, Wakanadan special forces, to prevent Wakanda from being dragged into a world war.
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/02/16 | 1 | $15,689,824 | 1,620 | $9,685 | $25,072,709 | 1 | |
| 2018/02/23 | 1 | $5,791,045 | -63% | 1,242 | $4,663 | $36,232,658 | 2 |
| 2018/03/02 | 3 | $2,074,700 | -64% | 787 | $2,636 | $41,492,919 | 3 |
| 2018/03/09 | 5 | $559,311 | -73% | 448 | $1,248 | $42,510,906 | 4 |
| 2018/03/16 | 9 | $131,854 | -76% | 142 | $929 | $42,363,934 | 5 |
| 2018/03/23 | 16 | $35,331 | -73% | 47 | $752 | $43,080,082 | 6 |
| 2018/03/30 | - | $4,075 | -88% | 9 | $453 | $42,852,947 | 7 |
| 2018/04/06 | - | $2,600 | -36% | 4 | $650 | $42,857,717 | 8 |
| 2018/04/20 | - | $6,903 | 7 | $986 | $42,727,406 | 10 | |
| 2018/04/27 | - | $4,214 | -39% | 3 | $1,405 | $42,577,721 | 11 |
| 2018/05/04 | - | $5,983 | +42% | 7 | $855 | $42,992,342 | 12 |
| 2018/05/11 | - | $3,331 | -44% | 6 | $555 | $42,404,729 | 13 |
| 2022/11/04 | - | $4,115 | 2 | $2,058 | $33,536,760 | 247 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 2/16/2018 | $1,600,889 | 0 | 0 | 0 | $5,720,345 | 12/2/2018 |
| Australia | 2/15/2018 | $8,341,960 | 620 | 620 | 3571 | $27,775,496 | 7/22/2024 |
| Brazil | 2/15/2018 | $9,400,000 | 0 | 0 | 0 | $36,942,424 | 11/2/2018 |
| Bulgaria | 2/16/2018 | $189,243 | 0 | 0 | 0 | $636,460 | 2/26/2019 |
| China | 3/8/2018 | $65,320,000 | 111132 | 111132 | 169657 | $104,600,000 | 4/8/2018 |
| Czech Republic | 2/16/2018 | $691,381 | 140 | 140 | 472 | $2,100,955 | 1/1/2019 |
| France | 2/14/2018 | $7,700,000 | 0 | 0 | 0 | $33,114,492 | 9/20/2018 |
| Germany | 2/15/2018 | $5,864,498 | 563 | 588 | 2824 | $23,392,484 | 10/9/2018 |
| Hong Kong | 2/13/2018 | $3,600,000 | 0 | 0 | 0 | $8,000,000 | 3/7/2018 |
| India | 2/16/2018 | $3,800,000 | 0 | 0 | 0 | $10,458,639 | 4/25/2018 |
| Indonesia | 2/13/2018 | $6,500,000 | 0 | 0 | 0 | $12,500,000 | 1/1/2019 |
| Italy | 2/14/2018 | $2,921,595 | 0 | 0 | 0 | $8,953,417 | 9/12/2018 |
| Japan | 3/2/2018 | $2,400,000 | 0 | 0 | 0 | $14,655,352 | 8/31/2018 |
| Lithuania | 2/16/2018 | $71,329 | 122 | 122 | 382 | $232,561 | 4/4/2018 |
| Malaysia | 2/14/2018 | $4,900,000 | 0 | 0 | 0 | $10,200,000 | 4/2/2018 |
| Mexico | 2/16/2018 | $9,156,835 | 0 | 0 | 0 | $28,322,788 | 9/10/2018 |
| Netherlands | 2/16/2018 | $1,871,014 | 105 | 110 | 1082 | $9,657,522 | 10/19/2022 |
| New Zealand | 2/16/2018 | $1,445,803 | 143 | 143 | 833 | $4,801,206 | 10/19/2020 |
| North America | 2/16/2018 | $202,003,951 | 4,020 | 4,084 | 40,236 | $700,059,566 | |
| Philippines | 2/13/2018 | $4,800,000 | 0 | 0 | 0 | $9,300,000 | 1/1/2019 |
| Poland | 2/16/2018 | $1,277,362 | 0 | 0 | 0 | $3,601,530 | 1/1/2019 |
| Portugal | 2/16/2018 | $550,433 | 89 | 89 | 537 | $2,099,308 | 10/19/2022 |
| Russia (CIS) | 2/16/2018 | $956,787 | 164 | 1456 | 4863 | $19,265,532 | 1/1/2019 |
| Singapore | 2/13/2018 | $0 | 0 | 0 | 0 | $1,000,000 | 2/16/2018 |
| Slovakia | 2/16/2018 | $281,707 | 66 | 66 | 175 | $689,932 | 4/18/2018 |
| South Africa | 2/16/2018 | $0 | 0 | 0 | 0 | $7,900,000 | 4/2/2018 |
| South Korea | 2/13/2018 | $15,689,824 | 1620 | 1620 | 4324 | $42,859,368 | 11/9/2022 |
| Spain | 2/16/2018 | $2,920,260 | 349 | 349 | 1958 | $9,716,813 | 9/22/2018 |
| Taiwan | 2/13/2018 | $5,600,000 | 0 | 0 | 0 | $12,778,780 | 9/13/2018 |
| Thailand | 2/14/2018 | $4,400,000 | 0 | 0 | 0 | $8,100,000 | 3/9/2018 |
| Trinidad | 2/23/2018 | $700,000 | 0 | 0 | 0 | $700,000 | 1/1/2019 |
| Turkey | 2/16/2018 | $978,302 | 371 | 371 | 1489 | $2,593,586 | 8/20/2020 |
| United Kingdom | 2/13/2018 | $24,877,020 | 585 | 599 | 5445 | $64,859,687 | 9/16/2020 |
| Vietnam | 2/23/2018 | $1,600,000 | 0 | 0 | 0 | $2,500,000 | 1/1/2019 |
| Rest of World | $104,068,839 | ||||||
| Worldwide Total | $1,334,157,082 | 7/22/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
| Chadwick Boseman | T’Challa/Black Panther | |
| Michael B. Jordan | Erik Killmonger | |
| Lupita Nyong'o | Nakia | |
| Danai Gurira | Okoye | |
| Martin Freeman | Everett K. Ross | |
| Angela Bassett | Ramonda | |
| Forest Whitaker | Zuri | |
| Andy Serkis | Ulysses Klaue | |
| Daniel Kaluuya | W’Kabi | |
| Letitia Wright | Shuri |
| Florence Kasumba | Ayo | |
| John Kani | T’Chaka | |
| Winston Duke | M’Baku/Man-Ape | |
| Sterling K. Brown | N’Jobu | |
| Isaach de Bankolé | Tribe Elder | |
| Sydelle Noel | Xoliswa | |
| Connie Chuene | Mining Elder |
| Stan Lee |
| Phylicia Rashad | ||
| Atandwa Kani |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Ryan Coogler | Director | |
| Joe Robert Cole | Screenwriter | |
| Ryan Coogler | Screenwriter | |
| Jack Kirby | Based on the comic by | |
| Stan Lee | Based on the comic by | |
| Kevin Feige | Producer | |
| Louis D’Esposito | Executive Producer | |
| Victoria Alonso | Executive Producer | |
| Nate Moore | Executive Producer | |
| Stan Lee | Executive Producer | |
| Jeffrey Chernov | Executive Producer | |
| David J. Grant | Co-Producer | |
| Rachel Morrison | Director of Photography | |
| Hannah Beachler | Production Designer | |
| Claudia Castello | Editor | |
| Michael P. Shawver | Editor | |
| Ruth E. Carter | Costume Designer | |
| Geoffrey Baumann | Visual Effects Supervisor | |
| Ludwig Göransson | Composer | |
| Sarah Halley Finn | Casting Director | |
| Dave Jordan | Music Supervisor | |
| Steve Durkee | Score Supervisor | |
| Steve Durkee | Supervising Music Editor | |
| Andy Gill | Stunt Coordinator-Second Unit | |
| Igor Meglic | Second Unit Camera | |
| Jay Hart | Set Decorator | |
| Ben Burtt | Sound Editor | |
| Steve Boeddeker | Sound Editor | |
| Steve Boeddeker | Sound Mixer | |
| Brandon Proctor | Sound Mixer | |
| Peter J. Devlin | Sound Mixer | |
| Nashia Wachsman | Music Editor | |
| Christopher T. Sadler | Second Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
