This graph shows Angourie Rice’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
Cady Heron moves to suburban Illinois after being home schooled in Africa, and wants to be popular. She takes on The Plastics and becomes frenemies with Regina George. But soon, she learns the hard way that you just shouldn’t mess with the Queen Bee.
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Spider-Man: Far From Home was the first installment in the M.C.U. to come out after Endgame. It not only needs to tell a story by itself, it has the unenviable goal of setting up the post-Infinity Stones era of the M.C.U. Is it able to accomplish both of these tasks?
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None of the films on this week’s list look like they will have breakout success. It is nearly impossible to find a film coming out in limited release this week that is in a genre that tends to do well in limited release, has great reviews, and isn’t playing on VOD. Wild Rose matches those three criteria the closest, but it is Ladies in Black that I’m most interested in seeing.
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2018 got off to a good start and January more or less held its ground when compared to 2017. There were some misses, but surprise holdovers made up the difference. Looking forward, February will be dominated by Black Panther. In fact, it will very likely make more during its opening weekend than the second place film, Fifty Shades Freed, will likely make in total. Black Panther likely won’t break records, but it could come close, while Fifty Shade Freed and Peter Rabbit both have a 50/50 shot at $100 million. Last February, The Lego Batman Movie both earned $175 million, while Fifty Shades Darker earned over $100 million. Black Panther will easily beat any film from last February; in fact, it could earn more than the top two films earned combined. As long as the rest of the box office isn’t a complete disaster, February should help 2018 earn a significant edge over 2017 in the year-over-year comparisons.
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Rhiannon, a 16-year old girl, falls in love with a mysterious spirit named “A” who inhabits a different body every day. Feeling an unmatched connection, Rhiannon and A work each day to find each other, not knowing what or who the next day will bring. The more the two fall in love, the more the realities of loving someone who is a different person every 24 hours takes a toll, leaving Rhiannon and A to face the hardest decision either has ever had to make.
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This week, the limited release report is practically the Video on Demand report, as nearly all limited releases are also playing on Video on Demand. The rest are all documentaries, which rarely earn any measure of mainstream success. Worse still, most of the non-documentaries are earning bad reviews, so their box office chances are even worse. Faults is probably the film with the best chance at finding an audience in theaters, but that's not saying much. These Final Hours is also earning great reviews, but it doesn't have the star power that Faults has. Of the documentaries, both An Honest Liar and Merchants of Doubt are worth checking out.
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