This graph shows Kenneth Branagh’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
A Haunting in Venice probably has enough gas in the tank to beat The Nun II and top the box office chart this weekend. But with a modest $1.2 million from previews yesterday for the Hercule Poirot mystery, it could be a close-run thing. The other new wide releases, The Inventor and Camp Hideout might reach their niche audiences, but are unlikely to make a big splash on what it often the slowest weekend of the year at the box office.
More...
Last week’s box office winner, The Nun II has gained ground in theaters from its opening frame, adding 15 locations for a total of 3,743 theaters, finding itself as this week’s widest release. The horror sequel tallied up $32.6 million in its opening weekend and currently holds a six-day total of just over $40 million. That total brings The Conjuring franchise to a worldwide total of just over $2.2 billion from nine films, including its predecessor, The Nun, which delivered $363 million of that back in September of 2018. This week will see the debut of three new wide releases, including the latest in the mysteries of Hercule Poirot.
More...
In post-World War II Venice, Poirot, now retired and living in his own exile, reluctantly attends a séance. But when one of the guests is murdered, it is up to the former detective to once again uncover the killer.
More...
A nine-year-old boy growing up in Belfast in the 1960s must chart a path towards adulthood through a world that has suddenly turned upside down. His stable and loving community and everything he thought he understood about life is changed forever but joy, laughter, music and the formative magic of the movies remain.
More...
We finally had some wide releases in August, and things went well, relatively speaking. Antebellum was pulled from the schedule at the last minute, leaving Unhinged as the only semi-wide release for the weekend of August 21, and that helped it open better than anticipated with $4 million. Then The New Mutants had the best opening since the pandemic first caused theaters to close, with $7 million last weekend.
That record won’t last long as Tenet is now playing in US theaters, officially as an “Early Access” release on Monday, Tuesday, and Wednesday, then “In Theaters” (which seems to be basically the same thing, only more so) from Thursday. It should outpace The New Mutants’ running tally, and maybe as early as its opening day. Not only will it have the biggest opening in months, it should stay in first place for the entire month, mainly due to a lack of competition. Three other films are getting wide releases, and each on their own weekend, so there’s no competition between them; however, that’s the end of the good news as the buzz for all three films is quiet. In fact, the buzz for Antebellum is in some ways louder, and that will be going direct to Apple TV on September 18.
Here’s the complete rundown of major movies coming to theaters this month.
More...
12-year-old genius Artemis Fowl, a descendant of a long line of criminal masterminds, seeks to find his father who has mysteriously disappeared. With the help of his loyal protector Butler, Artemis sets out to find him, and in doing so uncovers an ancient, underground civilization—the amazingly advanced world of fairies. Deducing that his father’s disappearance is somehow connected to the secretive, reclusive fairy world, cunning Artemis concocts a dangerous plan—so dangerous that he ultimately finds himself in a perilous war of wits with the all-powerful fairies.
More...
This week’s limited releases are divided into two groups: films earning reviews that are not good enough for limited release and documentaries earning perfect or near perfect reviews. All is True is the biggest of the first group, while The Silence of Others is the most potent of the second group.
More...
Murder on the Orient Express was expected to be a hit; however, it beat expectations earning nearly $350 million worldwide. The studio’s share of the box office was about $150 million compared to $55 million for its production budget and likely under $100 million for its combined budget. A sequel was announced while the film was still in theaters. Is this a smart move? Is the movie good enough to warrant a sequel? Or will those who watched this movie going to want to stay away from any follow-up?
More...
Thor: Ragnarok maintains a firm hold on top spot at the domestic and international box office this weekend, with a respectable decline of 54% at home taking it to $56.6 million for the weekend and $211.6 million to date. With another $75.9 million internationally, for a total of $438.5 million overseas,
Ragnarok will pass $650 million worldwide today. That makes it the most successful Thor film already, and it seems like it should retain decent traction into the holidays, even with Justice League coming out next weekend.
More...
October wasn’t a good month; then again, outside of a few bright spots, the overall box office has been a disaster since early summer. I would love to say November will turn things around, but, while it should be better, in this case “better” is a relative term. There are two films on this list with a chance at $300 million, Thor: Ragnarok and Justice League, while Coco is nearly a guarantee for $200 million. By comparison, last November had a similar result with three films earning between $200 million and $300 million, but none topping that figure. This means, if Thor: Ragnarok and Justice League both get to that milestone, then 2017 could cut into 2016’s lead during the month. It will still take a minor miracle for 2017 to catch up in the end, but just cutting the lead in half by the end of December would be a reason to celebrate at this point.
More...
Cinderella is the latest in a long line of Disney animated movies to be turned into a live-action film. I've previously reviewed a few of these movies, including Maleficent. I enjoyed that movie a lot more than most critics did. I loved the fact that the movie took the original characters, but told a different story than the original did. Does this film also do something new with the old story? If not, is it at least a good re-telling of the old story?
More...
February was strong thanks to The SpongeBob Movie: Sponge Out of Water and Fifty Shades of Grey, both of which beat expectations. This March could actually be even better, as there are three or four films that have a decent shot at earning $100 million or more. The top film will likely be Cinderella, which has a real shot at $200 million. Insurgent will almost assuredly get beyond the $100 million mark, while Get Hard, Home, and perhaps Chappie will also get to the century mark. Last March, there were four $100 million hits, led by Divergent, which pulled in $150 million. While this March should be better than February, I'm not sure it will be better than last March. I don't think March 2015 will be much worse than last year, but I think its percentage lead will be chipped away at by the end of the month.
More...
I previously reviewed the Jack Ryanbox set when it came out on Blu-ray last year. When I got a chance to review the latest installment, Jack Ryan: Shadow Recruit, it seemed like the natural thing to do. But can this reboot live up to the past installments in the franchise? Or was there a reason it was dumped during the early part of the year?
More...
It's the first month of the new year, but the biggest hit might be a film released in December. Last month ended on a slow note with all five Christmas day releases failing to become hits, some more than others. (It's a little too soon to tell if The Wolf of Wall Street or The Secret Life of Walter Mitty will do well enough to break even any time soon, but neither is a serious hit.) There are still some December releases that will likely remain on the charts through the opening weekends of January, while there are some films that opened in limited release last month with a scheduled wide release this month. Of the purely January releases, I would guess Jack Ryan: Shadow Recruit will be the biggest hit. Even then, it won't live up to the previous films in the franchise, even if you don't take inflation into account. Most of the rest of the new releases will be happy if they can become midlevel hits. Last January was led by Mama, which earned more than $70 million. I think Shadow Recruit will top that figure at the box office, while there are a similar number of likely box office bombs opening this year as there were last year. 2014 could start out ahead of 2013's pace, but it likely won't be a huge difference either way.
More...
All Acting Credits
Register with The Numbers for free to customize this chart.
-1-News.jpg)
-1-News.jpg)
-2-News.jpg)
-(2018)-1-News.jpg)
-4-News.jpg)
-1-News.jpg)
-Thumbnail.jpg)
