Last Night in Soho (2021)

Last Night in Soho
Theatrical Performance
Domestic Box Office $10,127,625Details
International Box Office $12,439,982Details
Worldwide Box Office $22,567,607
Home Market Performance
Est. Domestic DVD Sales $240,401 Details
Est. Domestic Blu-ray Sales $1,095,894 Details
Total Est. Domestic Video Sales $1,336,295
Further financial details...

Synopsis

A young girl, passionate in fashion design, is mysteriously able to enter the 1960s, where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences…

Metrics

Opening Weekend:$4,178,460 (41.3% of total gross)
Legs:2.42 (domestic box office/biggest weekend)
Domestic Share:44.9% (domestic box office/worldwide)
Production Budget:$43,000,000 (worldwide box office is 0.5 times production budget)
Theater counts:3,016 opening theaters/3,016 max. theaters, 2.6 weeks average run per theater
Infl. Adj. Dom. BO $10,735,080

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon EST, Amazon 4K UHD EST
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: October 29th, 2021 (Wide) by Focus Features
International Releases: October 27th, 2021 (Wide) (France)
October 28th, 2021 (Wide), released as 苏豪的最后一夜 (Hong Kong)
October 28th, 2021 (Wide), released as El Misterio De Soho (Mexico)
October 28th, 2021 (Wide), released as A Noite Passada em Soho (Portugal)
October 28th, 2021 (Wide) (Saudi Arabia)
... Show all releases
Video Release: January 4th, 2022 by Universal Home Entertainment
MPAA Rating: R for bloody violence, sexual content, language, brief drug material and brief graphic nudity.
(Rating bulletin 2700 (cert #52238), 9/29/2021)
Running Time: 116 minutes
Comparisons: vs. Bad Times at the El Royale
Create your own comparison chart…
Keywords: Psychological Thriller, Set in London, 1960s, Time Travel, Body Swap, Posthumous Release
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Focus Features, Film4, Working Title Films
Production Countries: United Kingdom, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Halloween (Opening, 3-Day) 57 $4,178,460 Oct 29, 2021 3
Halloween (Opening, 3-Day, Inflation Adjusted) 78 $4,900,881 Oct 29, 2021 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 29, 2021 7 $4,178,460   3,016 $1,385   $4,178,460 1
Nov 5, 2021 10 $1,801,875 -57% 3,016 $597   $7,640,510 2
Nov 12, 2021 - $839,355 -53% 1,341 $626   $9,366,235 3
Nov 19, 2021 - $234,110 -72% 389 $602   $9,968,465 4
Nov 26, 2021 - $53,255 -77% 110 $484   $10,107,485 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 29, 2021 5 $1,907,305     3,016 $632   $1,907,305 1
Oct 30, 2021 9 $1,310,185 -31%   3,016 $434   $3,217,490 2
Oct 31, 2021 7 $960,970 -27%   3,016 $319   $4,178,460 3
Nov 1, 2021 - $422,295 -56%   3,016 $140   $4,600,755 4
Nov 2, 2021 4 $532,490 +26%   3,016 $177   $5,133,245 5
Nov 3, 2021 5 $403,605 -24%   3,016 $134   $5,536,850 6
Nov 4, 2021 - $301,785 -25%   3,016 $100   $5,838,635 7
Nov 5, 2021 10 $580,315 +92% -70% 3,016 $192   $6,418,950 8
Nov 6, 2021 10 $749,060 +29% -43% 3,016 $248   $7,168,010 9
Nov 7, 2021 10 $472,500 -37% -51% 3,016 $157   $7,640,510 10
Nov 8, 2021 8 $183,570 -61% -57% 3,016 $61   $7,824,080 11
Nov 9, 2021 7 $228,280 +24% -57% 3,016 $76   $8,052,360 12
Nov 10, 2021 9 $207,040 -9% -49% 3,016 $69   $8,259,400 13
Nov 11, 2021 9 $267,480 +29% -11% 3,016 $89   $8,526,880 14
Nov 12, 2021 - $274,320 +3% -53% 1,341 $205   $8,801,200 15
Nov 13, 2021 - $352,185 +28% -53% 1,341 $263   $9,153,385 16
Nov 14, 2021 - $212,850 -40% -55% 1,341 $159   $9,366,235 17
Nov 15, 2021 - $86,610 -59% -53% 1,341 $65   $9,452,845 18
Nov 16, 2021 - $113,385 +31% -50% 1,341 $85   $9,566,230 19
Nov 17, 2021 10 $100,425 -11% -51% 1,341 $75   $9,666,655 20
Nov 18, 2021 - $67,700 -33% -75% 1,341 $50   $9,734,355 21
Nov 19, 2021 - $73,500 +9% -73% 389 $189   $9,807,855 22
Nov 20, 2021 - $95,620 +30% -73% 389 $246   $9,903,475 23
Nov 21, 2021 - $64,990 -32% -69% 389 $167   $9,968,465 24
Nov 22, 2021 - $36,610 -44% -58% 389 $94   $10,005,075 25
Nov 23, 2021 - $26,690 -27% -76% 389 $69   $10,031,765 26
Nov 24, 2021 - $12,460 -53% -88% 110 $113   $10,044,225 27
Nov 25, 2021 - $10,005 -20% -85% 110 $91   $10,054,230 28
Nov 26, 2021 - $18,860 +89% -74% 110 $171   $10,073,090 29
Nov 27, 2021 - $22,355 +19% -77% 110 $203   $10,095,445 30
Nov 28, 2021 - $12,040 -46% -81% 110 $109   $10,107,485 31
Nov 29, 2021 - $5,485 -54% -85% 110 $50   $10,112,970 32
Nov 30, 2021 - $8,680 +58% -67% 110 $79   $10,121,650 33
Dec 1, 2021 - $5,975 -31% -52% 110 $54   $10,127,625 34

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 29, 2021 6 $5,838,635   3,016 $1,936   $5,838,635 1
Nov 5, 2021 - $2,688,245 -54% 3,016 $891   $8,526,880 2
Nov 12, 2021 - $1,207,475 -55% 1,341 $900   $9,734,355 3
Nov 19, 2021 - $319,875 -74% 110 $2,908   $10,054,230 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/18/2021 $40,000 80 80 80 $40,000 10/20/2022
Australia 11/18/2021 $309,665 249 249 668 $844,980 10/20/2022
Brazil 11/18/2021 $78,000 258 258 258 $78,000 10/20/2022
Croatia 11/4/2021 $0 0 1 2 $21,315 8/10/2022
Czech Republic 11/12/2021 $28,955 108 108 200 $68,649 10/20/2022
Denmark 11/25/2021 $21,000 49 49 49 $21,000 10/20/2022
Finland 11/12/2021 $29,336 54 54 128 $81,468 10/20/2022
France 10/27/2021 $309,000 189 189 390 $614,000 11/15/2021
Germany 11/11/2021 $376,000 273 273 545 $628,000 10/20/2022
Hong Kong 10/28/2021 $109,000 45 45 45 $109,000 10/20/2022
Indonesia 11/5/2021 $128,000 346 346 346 $128,000 10/20/2022
Italy 11/4/2021 $218,217 0 1 2 $392,427 10/20/2022
Japan 12/10/2021 $530,000 204 204 204 $530,000 10/20/2022
Lithuania 10/29/2021 $0000$0
Mexico 10/28/2021 $248,163 0 140 140 $793,870 10/20/2022
Netherlands 11/4/2021 $88,700 74 74 289 $338,704 12/6/2021
New Zealand 11/11/2021 $37,086 59 59 219 $118,285 10/20/2022
Portugal 10/28/2021 $28,556 34 34 63 $49,749 10/20/2022
Romania 10/29/2021 $16,064 75 75 231 $59,514 10/20/2022
Russia (CIS) 11/25/2021 $269,231 919 919 1,758 $681,217 10/22/2022
Saudi Arabia 10/28/2021 $176,000 43 43 108 $453,000 10/20/2022
Singapore 11/25/2021 $34,000 30 30 30 $34,000 10/20/2022
Slovakia 11/11/2021 $11,927 47 47 85 $25,408 1/21/2022
South Africa 11/25/2021 $7,000 35 35 35 $7,000 10/20/2022
South Korea 12/1/2021 $145,383 498 498 711 $382,248 2/16/2022
Spain 11/19/2021 $232,851 295 300 688 $487,601 12/9/2021
Sweden 11/12/2021 $49,000 121 121 121 $49,000 10/20/2022
Taiwan 11/12/2021 $75,000 86 86 86 $75,000 10/20/2022
Thailand 12/9/2021 $36,000 57 57 57 $36,000 10/20/2022
Trinidad 11/19/2021 $2,000 9 9 9 $2,000 10/20/2022
Turkey 11/12/2021 $19,108 76 94 289 $123,090 10/20/2022
United Kingdom 10/29/2021 $1,001,711 513 513 1,736 $2,856,176 11/1/2023
 
Rest of World $2,311,281
 
International Total$12,439,982 11/1/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 23, 2022174,958 5,410$117,455$117,4553
Jan 30, 2022203,129-37% 8,539$74,126$191,5814

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 23, 2022324,427 24,427$560,600$560,6003
Jan 30, 202278,202-66% 32,629$194,305$754,9054
Feb 6, 2022123,996-51% 36,625$94,665$849,5705

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

DateRank
Jan 22, 202217

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Thomasin McKenzie    Eloise Turner
Anya Taylor-Joy    Sandie
Matt Smith    Jack
Michael Ajao    John

Supporting Cast

Dame Diana Rigg*    Miss Collins
Terence Stamp    Silver Haired Gentleman
Rita Tushingham    Peggy Turner
Synnøve Karlsen    Jocasta
Jessie Mei Li    Lara
Kassius Nelson    Cami
Rebecca Harrod    Ashley
Margaret Nolan    Sage Barmaid
Lisa McGrillis    Female Detective
James Phelps    Charles
Oliver Phelps    Ben
Amieé Cassettari    Eloise’s Mother
Colin Mace    Taxi Driver #1
Alan Mahon    Toucan Bartender
Connor Calland    Drunk Student
Pauline McLynn    Carol
Josh Zaré    Student at Party
Jacqui-Lee Pryce    College Administrator
Elizabeth Berrington    Ms Tobin
Beth Singh    Cilla Black
Paul Brightwell    Cubby
Will Rogers    Café de Paris Bartender
Terence Frisch    Rialto Club Owner
Celeste Dring    Shop Assistant
Jeanie Wishes    Marionetta
Andrew Bicknell    Mr Pointer
Adam Sopp    Toucan Drunk
Richard Corgan    Toucan Drunk’s Mate
Michael Mears    Punter #1
Tom Hartwell    Punter #2
Paul Hamilton    Punter #3
Wayne Cater    Punter #4
Sam Parks    Punter #6
Alan Ruscoe    Punter #7
Christopher Carrico    Additional Punters
Ian Harrod    Additional Punters
Ian Hartley    Additional Punters
Luke Hope    Additional Punters
Kent Goldfinch    Additional Punters
Maggott Richard*    Additional Punters
O'Sullivan*    Additional Punters
Michael Jibson    Male Detective
Al Roberts    Librarian
Derek Lea    Taxi Driver #2
Jennifer White    Choreographer
Melissa Fox    Rialto Dancers
Jodie Hassell    Rialto Dancers
Stephanie Lamey    Rialto Dancers
Amy Andrea Murray    Rialto Dancers
Alison Parsons    Rialto Dancers
Ashley Shaw    Rialto Dancers

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Edgar Wright    Director
Edgar Wright    Story by
Edgar Wright    Screenwriter
Krysty Wilson-Cairns    Screenwriter
Nira Park    Producer
Tim Bevan    Producer
Eric Fellner    Producer
Edgar Wright    Producer
James Biddle    Executive Producer
Rachael Prior    Executive Producer
Daniel Battsek    Executive Producer
Ollie Madden    Executive Producer
Chung Chung-hoon    Director of Photography
Marcus Rowland    Production Designer
Paul Machliss    Editor
Odile Dicks-Mireaux    Costume Designer
Lizzie Yianni Georgiou    Make-up and Hair Designer
Steven Price    Music
Tom Proctor    Visual Effects Supervisor
Nina Gold    Casting
Martin Ware    Casting
Jeremy Burnage    Unit Production Manager
Richard Graysmark    First Assistant Director
David Forman    Stunt Coordinator
Leo Thompson    Associate Producer
Miranda Jones    Post-Production Supervisor
Jeremy Lovering    Second Unit Director
Oliver Curtis    Second Unit Director of Phot
Camilla Stephenson    Supervising Location Manager
Jude Farr    Set Decorator
Jerry Ramsbottom    First Assistant Editor
Paula Casarin    Script Supervisor
Laura Richardson    Associate Producer
Colin Nicolson    Production Sound Mixer
Julian Slater    Supervising Sound Editor
Dan Morgan    Supervising Sound Editor
Kirsten Lane    Music Supervisor
Stephen Hutchinson    Special Effects Supervisor
Tim Blake    Supervising Art Director
Victoria Allwood    Art Director
Katie Money    Art Director
Emily Norris    Art Director
Alex Watherston    Costume Supervisor
Barrie Gower    Prosthetics Designer
Bradley Farmer    Music Editor
Lisa Curry    Production Supervisor
Jeremy Price    Sound Designer
Ben Meechan    Sound Designer
Samir Foco    Sound Effects Editor
Arthur Graley    Sound Effects Editor
Paul Pirola    Foley Supervisor
Brendan Croxon    Foley Editor
Duncan Campbell    Foley Recordist
Danny Huerta    VFX Producer
Kate Warburton    VFX Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend estimates: top three stay the same as bevy of new releases fight over the scraps

October 31st, 2021

Dune

There was something for everyone in movie theaters this weekend, but the combination of Halloween falling on the weekend and too much competition made going tough for the six films either opening, expanding, or being re-issued in wide release. The competition hit Dune a touch harder than our model expected, but it will easily remain the top film at the box office, with $15.53 million taking it to $69.4 million in total after 10 days. With another $21.4 million from international markets, it now has $292.1 million worldwide so far. More...

Weekend predictions: moviegoers spoilt for choice this weekend

October 29th, 2021

Dune

After four straight weekends with a movie opening to over $40 million, the market is taking a bit of a breather this weekend, at least in the sense of there being a “must see” film for general audiences. However, with no less than six films either opening or expanding wide, the number of options available to moviegoers is the largest its been in a long while. Our model thinks three new releases and the one wide expansion will land in the top ten, but Dune is the overwhelming favorite to win the weekend, even if it does fall fairly sharply from its $41-million opening. More...

Last Night in Soho trailer

October 7th, 2021

Edgar Wright’s psychological thriller, starring Thomasin McKenzie, Anya Taylor-Joy, Matt Smith and Michael Ajao opens in theaters on October 29 ... Full Movie Details.

A young girl, passionate in fashion design, is mysteriously able to enter the 1960s, where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences… More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A young girl, passionate in fashion design, is mysteriously able to enter the 1960s, where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences…

Metrics

Opening Weekend:$4,178,460 (41.3% of total gross)
Legs:2.42 (domestic box office/biggest weekend)
Domestic Share:44.9% (domestic box office/worldwide)
Production Budget:$43,000,000 (worldwide box office is 0.5 times production budget)
Theater counts:3,016 opening theaters/3,016 max. theaters, 2.6 weeks average run per theater
Infl. Adj. Dom. BO $10,735,080

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon EST, Amazon 4K UHD EST
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: October 29th, 2021 (Wide) by Focus Features
International Releases: October 27th, 2021 (Wide) (France)
October 28th, 2021 (Wide), released as 苏豪的最后一夜 (Hong Kong)
October 28th, 2021 (Wide), released as El Misterio De Soho (Mexico)
October 28th, 2021 (Wide), released as A Noite Passada em Soho (Portugal)
October 28th, 2021 (Wide) (Saudi Arabia)
... Show all releases
Video Release: January 4th, 2022 by Universal Home Entertainment
MPAA Rating: R for bloody violence, sexual content, language, brief drug material and brief graphic nudity.
(Rating bulletin 2700 (cert #52238), 9/29/2021)
Running Time: 116 minutes
Comparisons: vs. Bad Times at the El Royale
Create your own comparison chart…
Keywords: Psychological Thriller, Set in London, 1960s, Time Travel, Body Swap, Posthumous Release
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Focus Features, Film4, Working Title Films
Production Countries: United Kingdom, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Halloween (Opening, 3-Day) 57 $4,178,460 Oct 29, 2021 3
Halloween (Opening, 3-Day, Inflation Adjusted) 78 $4,900,881 Oct 29, 2021 3

Leading Cast

Thomasin McKenzie    Eloise Turner
Anya Taylor-Joy    Sandie
Matt Smith    Jack
Michael Ajao    John

Supporting Cast

Dame Diana Rigg*    Miss Collins
Terence Stamp    Silver Haired Gentleman
Rita Tushingham    Peggy Turner
Synnøve Karlsen    Jocasta
Jessie Mei Li    Lara
Kassius Nelson    Cami
Rebecca Harrod    Ashley
Margaret Nolan    Sage Barmaid
Lisa McGrillis    Female Detective
James Phelps    Charles
Oliver Phelps    Ben
Amieé Cassettari    Eloise’s Mother
Colin Mace    Taxi Driver #1
Alan Mahon    Toucan Bartender
Connor Calland    Drunk Student
Pauline McLynn    Carol
Josh Zaré    Student at Party
Jacqui-Lee Pryce    College Administrator
Elizabeth Berrington    Ms Tobin
Beth Singh    Cilla Black
Paul Brightwell    Cubby
Will Rogers    Café de Paris Bartender
Terence Frisch    Rialto Club Owner
Celeste Dring    Shop Assistant
Jeanie Wishes    Marionetta
Andrew Bicknell    Mr Pointer
Adam Sopp    Toucan Drunk
Richard Corgan    Toucan Drunk’s Mate
Michael Mears    Punter #1
Tom Hartwell    Punter #2
Paul Hamilton    Punter #3
Wayne Cater    Punter #4
Sam Parks    Punter #6
Alan Ruscoe    Punter #7
Christopher Carrico    Additional Punters
Ian Harrod    Additional Punters
Ian Hartley    Additional Punters
Luke Hope    Additional Punters
Kent Goldfinch    Additional Punters
Maggott Richard*    Additional Punters
O'Sullivan*    Additional Punters
Michael Jibson    Male Detective
Al Roberts    Librarian
Derek Lea    Taxi Driver #2
Jennifer White    Choreographer
Melissa Fox    Rialto Dancers
Jodie Hassell    Rialto Dancers
Stephanie Lamey    Rialto Dancers
Amy Andrea Murray    Rialto Dancers
Alison Parsons    Rialto Dancers
Ashley Shaw    Rialto Dancers

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Edgar Wright    Director
Edgar Wright    Story by
Edgar Wright    Screenwriter
Krysty Wilson-Cairns    Screenwriter
Nira Park    Producer
Tim Bevan    Producer
Eric Fellner    Producer
Edgar Wright    Producer
James Biddle    Executive Producer
Rachael Prior    Executive Producer
Daniel Battsek    Executive Producer
Ollie Madden    Executive Producer
Chung Chung-hoon    Director of Photography
Marcus Rowland    Production Designer
Paul Machliss    Editor
Odile Dicks-Mireaux    Costume Designer
Lizzie Yianni Georgiou    Make-up and Hair Designer
Steven Price    Music
Tom Proctor    Visual Effects Supervisor
Nina Gold    Casting
Martin Ware    Casting
Jeremy Burnage    Unit Production Manager
Richard Graysmark    First Assistant Director
David Forman    Stunt Coordinator
Leo Thompson    Associate Producer
Miranda Jones    Post-Production Supervisor
Jeremy Lovering    Second Unit Director
Oliver Curtis    Second Unit Director of Phot
Camilla Stephenson    Supervising Location Manager
Jude Farr    Set Decorator
Jerry Ramsbottom    First Assistant Editor
Paula Casarin    Script Supervisor
Laura Richardson    Associate Producer
Colin Nicolson    Production Sound Mixer
Julian Slater    Supervising Sound Editor
Dan Morgan    Supervising Sound Editor
Kirsten Lane    Music Supervisor
Stephen Hutchinson    Special Effects Supervisor
Tim Blake    Supervising Art Director
Victoria Allwood    Art Director
Katie Money    Art Director
Emily Norris    Art Director
Alex Watherston    Costume Supervisor
Barrie Gower    Prosthetics Designer
Bradley Farmer    Music Editor
Lisa Curry    Production Supervisor
Jeremy Price    Sound Designer
Ben Meechan    Sound Designer
Samir Foco    Sound Effects Editor
Arthur Graley    Sound Effects Editor
Paul Pirola    Foley Supervisor
Brendan Croxon    Foley Editor
Duncan Campbell    Foley Recordist
Danny Huerta    VFX Producer
Kate Warburton    VFX Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend estimates: top three stay the same as bevy of new releases fight over the scraps

October 31st, 2021

Dune

There was something for everyone in movie theaters this weekend, but the combination of Halloween falling on the weekend and too much competition made going tough for the six films either opening, expanding, or being re-issued in wide release. The competition hit Dune a touch harder than our model expected, but it will easily remain the top film at the box office, with $15.53 million taking it to $69.4 million in total after 10 days. With another $21.4 million from international markets, it now has $292.1 million worldwide so far. More...

Weekend predictions: moviegoers spoilt for choice this weekend

October 29th, 2021

Dune

After four straight weekends with a movie opening to over $40 million, the market is taking a bit of a breather this weekend, at least in the sense of there being a “must see” film for general audiences. However, with no less than six films either opening or expanding wide, the number of options available to moviegoers is the largest its been in a long while. Our model thinks three new releases and the one wide expansion will land in the top ten, but Dune is the overwhelming favorite to win the weekend, even if it does fall fairly sharply from its $41-million opening. More...

Last Night in Soho trailer

October 7th, 2021

Edgar Wright’s psychological thriller, starring Thomasin McKenzie, Anya Taylor-Joy, Matt Smith and Michael Ajao opens in theaters on October 29 ... Full Movie Details.

A young girl, passionate in fashion design, is mysteriously able to enter the 1960s, where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences… More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 29, 2021 7 $4,178,460   3,016 $1,385   $4,178,460 1
Nov 5, 2021 10 $1,801,875 -57% 3,016 $597   $7,640,510 2
Nov 12, 2021 - $839,355 -53% 1,341 $626   $9,366,235 3
Nov 19, 2021 - $234,110 -72% 389 $602   $9,968,465 4
Nov 26, 2021 - $53,255 -77% 110 $484   $10,107,485 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 29, 2021 5 $1,907,305     3,016 $632   $1,907,305 1
Oct 30, 2021 9 $1,310,185 -31%   3,016 $434   $3,217,490 2
Oct 31, 2021 7 $960,970 -27%   3,016 $319   $4,178,460 3
Nov 1, 2021 - $422,295 -56%   3,016 $140   $4,600,755 4
Nov 2, 2021 4 $532,490 +26%   3,016 $177   $5,133,245 5
Nov 3, 2021 5 $403,605 -24%   3,016 $134   $5,536,850 6
Nov 4, 2021 - $301,785 -25%   3,016 $100   $5,838,635 7
Nov 5, 2021 10 $580,315 +92% -70% 3,016 $192   $6,418,950 8
Nov 6, 2021 10 $749,060 +29% -43% 3,016 $248   $7,168,010 9
Nov 7, 2021 10 $472,500 -37% -51% 3,016 $157   $7,640,510 10
Nov 8, 2021 8 $183,570 -61% -57% 3,016 $61   $7,824,080 11
Nov 9, 2021 7 $228,280 +24% -57% 3,016 $76   $8,052,360 12
Nov 10, 2021 9 $207,040 -9% -49% 3,016 $69   $8,259,400 13
Nov 11, 2021 9 $267,480 +29% -11% 3,016 $89   $8,526,880 14
Nov 12, 2021 - $274,320 +3% -53% 1,341 $205   $8,801,200 15
Nov 13, 2021 - $352,185 +28% -53% 1,341 $263   $9,153,385 16
Nov 14, 2021 - $212,850 -40% -55% 1,341 $159   $9,366,235 17
Nov 15, 2021 - $86,610 -59% -53% 1,341 $65   $9,452,845 18
Nov 16, 2021 - $113,385 +31% -50% 1,341 $85   $9,566,230 19
Nov 17, 2021 10 $100,425 -11% -51% 1,341 $75   $9,666,655 20
Nov 18, 2021 - $67,700 -33% -75% 1,341 $50   $9,734,355 21
Nov 19, 2021 - $73,500 +9% -73% 389 $189   $9,807,855 22
Nov 20, 2021 - $95,620 +30% -73% 389 $246   $9,903,475 23
Nov 21, 2021 - $64,990 -32% -69% 389 $167   $9,968,465 24
Nov 22, 2021 - $36,610 -44% -58% 389 $94   $10,005,075 25
Nov 23, 2021 - $26,690 -27% -76% 389 $69   $10,031,765 26
Nov 24, 2021 - $12,460 -53% -88% 110 $113   $10,044,225 27
Nov 25, 2021 - $10,005 -20% -85% 110 $91   $10,054,230 28
Nov 26, 2021 - $18,860 +89% -74% 110 $171   $10,073,090 29
Nov 27, 2021 - $22,355 +19% -77% 110 $203   $10,095,445 30
Nov 28, 2021 - $12,040 -46% -81% 110 $109   $10,107,485 31
Nov 29, 2021 - $5,485 -54% -85% 110 $50   $10,112,970 32
Nov 30, 2021 - $8,680 +58% -67% 110 $79   $10,121,650 33
Dec 1, 2021 - $5,975 -31% -52% 110 $54   $10,127,625 34

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 29, 2021 6 $5,838,635   3,016 $1,936   $5,838,635 1
Nov 5, 2021 - $2,688,245 -54% 3,016 $891   $8,526,880 2
Nov 12, 2021 - $1,207,475 -55% 1,341 $900   $9,734,355 3
Nov 19, 2021 - $319,875 -74% 110 $2,908   $10,054,230 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/18/2021 $40,000 80 80 80 $40,000 10/20/2022
Australia 11/18/2021 $309,665 249 249 668 $844,980 10/20/2022
Brazil 11/18/2021 $78,000 258 258 258 $78,000 10/20/2022
Croatia 11/4/2021 $0 0 1 2 $21,315 8/10/2022
Czech Republic 11/12/2021 $28,955 108 108 200 $68,649 10/20/2022
Denmark 11/25/2021 $21,000 49 49 49 $21,000 10/20/2022
Finland 11/12/2021 $29,336 54 54 128 $81,468 10/20/2022
France 10/27/2021 $309,000 189 189 390 $614,000 11/15/2021
Germany 11/11/2021 $376,000 273 273 545 $628,000 10/20/2022
Hong Kong 10/28/2021 $109,000 45 45 45 $109,000 10/20/2022
Indonesia 11/5/2021 $128,000 346 346 346 $128,000 10/20/2022
Italy 11/4/2021 $218,217 0 1 2 $392,427 10/20/2022
Japan 12/10/2021 $530,000 204 204 204 $530,000 10/20/2022
Lithuania 10/29/2021 $0000$0
Mexico 10/28/2021 $248,163 0 140 140 $793,870 10/20/2022
Netherlands 11/4/2021 $88,700 74 74 289 $338,704 12/6/2021
New Zealand 11/11/2021 $37,086 59 59 219 $118,285 10/20/2022
Portugal 10/28/2021 $28,556 34 34 63 $49,749 10/20/2022
Romania 10/29/2021 $16,064 75 75 231 $59,514 10/20/2022
Russia (CIS) 11/25/2021 $269,231 919 919 1,758 $681,217 10/22/2022
Saudi Arabia 10/28/2021 $176,000 43 43 108 $453,000 10/20/2022
Singapore 11/25/2021 $34,000 30 30 30 $34,000 10/20/2022
Slovakia 11/11/2021 $11,927 47 47 85 $25,408 1/21/2022
South Africa 11/25/2021 $7,000 35 35 35 $7,000 10/20/2022
South Korea 12/1/2021 $145,383 498 498 711 $382,248 2/16/2022
Spain 11/19/2021 $232,851 295 300 688 $487,601 12/9/2021
Sweden 11/12/2021 $49,000 121 121 121 $49,000 10/20/2022
Taiwan 11/12/2021 $75,000 86 86 86 $75,000 10/20/2022
Thailand 12/9/2021 $36,000 57 57 57 $36,000 10/20/2022
Trinidad 11/19/2021 $2,000 9 9 9 $2,000 10/20/2022
Turkey 11/12/2021 $19,108 76 94 289 $123,090 10/20/2022
United Kingdom 10/29/2021 $1,001,711 513 513 1,736 $2,856,176 11/1/2023
 
Rest of World $2,311,281
 
International Total$12,439,982 11/1/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 23, 2022174,958 5,410$117,455$117,4553
Jan 30, 2022203,129-37% 8,539$74,126$191,5814

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 23, 2022324,427 24,427$560,600$560,6003
Jan 30, 202278,202-66% 32,629$194,305$754,9054
Feb 6, 2022123,996-51% 36,625$94,665$849,5705

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

DateRank
Jan 22, 202217

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.