Market Charts > Genres > Thriller/Suspense
Box Office History for Thriller/Suspense
Ticket Sales and Market Share by Year
Note: Figures for 2025 are at an annualized rate.
Top-Grossing Movies 1995-2025, Adjusted for Ticket Price Inflation
Year by Year Market Share
| Year | Movies in Release | Market Share | Gross | Tickets Sold | Inflation- Adjusted Gross | Top-Grossing Movie | Gross that Year |
|---|---|---|---|---|---|---|---|
| 1995 | 23 | 7.28% | $386,782,261 | 88,915,453 | $1,005,633,773 | Se7en | $87,046,142 |
| 1996 | 27 | 5.55% | $320,539,395 | 72,520,213 | $820,203,609 | Executive Decision | $56,679,192 |
| 1997 | 29 | 9.76% | $604,576,556 | 131,716,009 | $1,489,708,062 | Conspiracy Theory | $76,118,990 |
| 1998 | 27 | 6.00% | $409,148,694 | 87,238,514 | $986,667,593 | A Perfect Murder | $67,658,331 |
| 1999 | 24 | 9.71% | $712,391,014 | 140,234,438 | $1,586,051,494 | The Sixth Sense | $276,386,495 |
| 2000 | 36 | 8.54% | $641,923,352 | 119,095,223 | $1,346,966,972 | What Lies Beneath | $155,464,351 |
| 2001 | 34 | 9.77% | $811,252,588 | 143,330,832 | $1,621,071,710 | Ocean’s Eleven | $151,967,372 |
| 2002 | 39 | 12.40% | $1,135,188,090 | 195,385,193 | $2,209,806,533 | Signs | $227,750,028 |
| 2003 | 23 | 4.22% | $388,248,937 | 64,386,213 | $728,208,069 | The Recruit | $52,784,696 |
| 2004 | 32 | 9.06% | $842,012,830 | 135,589,813 | $1,533,520,785 | The Bourne Supremacy | $176,087,450 |
| 2005 | 32 | 6.26% | $550,989,251 | 85,957,746 | $972,182,107 | Flightplan | $89,132,263 |
| 2006 | 37 | 5.91% | $542,116,516 | 82,765,858 | $936,081,854 | Inside Man | $88,634,237 |
| 2007 | 58 | 10.34% | $1,010,695,305 | 146,903,354 | $1,661,476,934 | The Bourne Ultimatum | $227,471,070 |
| 2008 | 51 | 8.06% | $785,692,180 | 109,427,860 | $1,237,629,097 | Eagle Eye | $101,401,695 |
| 2009 | 56 | 8.24% | $876,406,578 | 116,854,189 | $1,321,620,878 | Taken | $145,000,989 |
| 2010 | 53 | 9.76% | $1,022,827,861 | 129,635,957 | $1,466,182,674 | Inception | $292,568,851 |
| 2011 | 60 | 9.27% | $942,775,708 | 118,887,205 | $1,344,614,289 | Super 8 | $127,004,179 |
| 2012 | 64 | 10.17% | $1,119,670,339 | 140,662,071 | $1,590,888,023 | Taken 2 | $139,284,764 |
| 2013 | 71 | 9.77% | $1,063,163,176 | 130,770,344 | $1,479,012,591 | Gravity | $255,621,667 |
| 2014 | 59 | 5.08% | $522,183,651 | 63,914,738 | $722,875,687 | Gone Girl | $166,197,583 |
| 2015 | 65 | 3.42% | $385,926,598 | 45,780,111 | $517,773,055 | Bridge of Spies | $70,610,153 |
| 2016 | 65 | 7.03% | $792,368,574 | 91,603,276 | $1,036,033,052 | The Accountant | $85,856,696 |
| 2017 | 59 | 5.57% | $612,496,192 | 68,282,717 | $772,277,529 | Baby Driver | $107,825,862 |
| 2018 | 58 | 4.09% | $488,437,617 | 53,615,524 | $606,391,576 | A Simple Favor | $53,548,586 |
| 2019 | 52 | 8.57% | $961,963,517 | 105,017,827 | $1,187,751,623 | Joker | $333,772,511 |
| 2020 | 49 | 13.05% | $263,542,875 | 28,708,348 | $324,691,416 | 1917 | $157,901,466 |
| 2021 | 39 | 3.12% | $140,820,653 | 13,846,658 | $156,605,702 | Old | $48,276,510 |
| 2022 | 48 | 3.43% | $253,407,071 | 24,065,227 | $272,177,717 | Bullet Train | $103,368,602 |
| 2023 | 52 | 4.87% | $436,176,954 | 39,869,903 | $450,928,603 | Sound of Freedom | $184,178,046 |
| 2024 | 68 | 5.92% | $510,417,393 | 45,129,715 | $510,417,077 | Twisters | $267,762,265 |
| 2025 | 28 | 7.08% | $225,529,371 | 19,940,704 | $225,529,362 | The Accountant 2 | $64,223,861 |
Upcoming Releases
Our Theatrical Market pages are based on the Domestic Theatrical Market performance only. The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam).
The yearly amounts on our Theatrical Market pages are based on box office years. Each box office year starts on the first Monday of the year, so the previous year ends on the Sunday before the first Monday. For example, the "2017 box office year" started on January 2, 2017 so the "2016 box office year" ended on Sunday, January 1, 2017.