| Best known as a Re-recording Mixer based on credits in that role in 4 films, with $302,683,144 worldwide aggregate box office (rank #236) |
| Best-known technical roles: The Matrix Resurrections (Re-recording Mixer), Cloud Atlas (Re-recording Mixer), A Hologram for the King (Re-recording Mixer), Lola rennt (Sound Editor), Riefenstahl (Sound Designer) |
| Most productive collaborators: Tom Tykwer, Lana Wachowski, Stefan Arndt, Tom Hanks, Johnny Klimek |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Re-recording Mixer | 4 | $71,783,963 | $230,899,181 | $302,683,144 |
| Sound Mixer | 2 | $132,218 | $6,777,202 | $6,909,420 | |
| Sound Editor | 1 | $8,077,539 | $15,611,870 | $23,689,409 | |
| Sound Designer | 1 | $125,247 | $63,141 | $188,388 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Sep 5, 2025 | Riefenstahl | Sound Designer Sound Mixer |
$125,247 | $63,141 | $188,388 |
| Dec 22, 2021 | The Matrix Resurrections | Re-recording Mixer | $40,463,197 | $119,700,000 | $160,163,197 |
| Oct 11, 2019 | In My Room | Re-recording Mixer | $783 | $783 | |
| Apr 22, 2016 | A Hologram for the King | Re-recording Mixer | $4,212,494 | $7,633,516 | $11,846,010 |
| Oct 9, 2015 | Victoria | Sound Mixer | $6,971 | $6,714,061 | $6,721,032 |
| Oct 26, 2012 | Cloud Atlas | Re-recording Mixer | $27,108,272 | $103,564,882 | $130,673,154 |
| Jun 18, 1999 | Lola rennt | Sound Editor | $8,077,539 | $15,611,870 | $23,689,409 |
| Averages | $13,332,287 | $36,184,036 | $47,611,710 | ||
| Totals | 7 | $79,993,720 | $253,288,253 | $333,281,973 | |
