| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 674440100 | ||
| Further financial details... | ||
| Comparisons: | Create your own comparison chart… |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | 2521 Entertainment |
| Production Countries: | United States |
| Languages: | English |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
| Theo Rossi | ||
| Jackie Earle Haley |
| Alexander Kane | ||
| Leonard Wu | ||
| Lawrence Kao | ||
| Billy Choi |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| David Hunt | Director | |
| David Hunt | Screenwriter | |
| Chris Hammond | Producer | |
| Mike Donovan | Producer | |
| Alexander Kane | Producer |
| Comparisons: | Create your own comparison chart… |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | 2521 Entertainment |
| Production Countries: | United States |
| Languages: | English |
| Theo Rossi | ||
| Jackie Earle Haley |
| Alexander Kane | ||
| Leonard Wu | ||
| Lawrence Kao | ||
| Billy Choi |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| David Hunt | Director | |
| David Hunt | Screenwriter | |
| Chris Hammond | Producer | |
| Mike Donovan | Producer | |
| Alexander Kane | Producer |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
