Hong Kong Box Office for The Host (2013)
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| Theatrical Performance (US$) |
| Hong Kong Box Office |
$182,838 | Details |
| Worldwide Box Office |
$64,477,051 | Details |
| Home Market Performance |
| North America DVD Sales |
$7,165,610 |
Details |
| North America Blu-ray Sales |
$4,225,055 |
Details |
| Total North America Video Sales |
$11,390,665 | |
| Further financial details... |
- Summary
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- Trailer
Synopsis
Our world has been invaded by an unseen enemy. Humans become hosts for these invaders, their minds taken over while their bodies remain intact. Most of humanity has succumbed. When Melanie, one of the few remaining "wild" humans, is captured, she is certain it is her end. Wanderer, the invading "soul" who has been given Melanie's body, was warned about the challenges of living inside a human: the overwhelming emotions, the glut of senses, the too-vivid memories. But there was one difficulty Wanderer didn't expect: the former tenant of her body refusing to relinquish possession of her mind. When outside forces make Wanderer and Melanie unwilling allies, they set off on a dangerous and uncertain search for the man they both love.
Metrics
Movie Details
| Production Budget: | $50,000,000 |
| Hong Kong Releases: |
April 18th, 2013 (Wide) |
| Video Release: |
July 9th, 2013 by Universal Home Entertainment |
| MPAA Rating: |
PG-13 for some sensuality and violence. (Rating bulletin 2258, 2/6/2013) |
| Running Time: |
88 minutes |
| Keywords: |
Alien Invasion, Possessed, Fugitive / On the Run, End of the World, Romance, Love Triangle, Young Adult Book Adaptation, Action Thriller, Filmed in United States |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: |
Open Road Films, IAV International, Silver Reel Entertainment, Nick Wechsler, Chockstone Pictures, Fickle Fish |
| Production Countries: |
United States |
| Languages: |
English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
| 2013/04/19 |
2 |
$130,743 |
|
61 |
$2,143 |
$130,743 |
1 |
| 2013/04/26 |
5 |
$6,692 |
-95% |
4 |
$1,673 |
$182,838 |
2 |
Box Office Summary Per Territory
| Territory |
Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
| Australia |
3/28/2013 |
$846,026 |
195 |
195 |
656 |
$2,480,450 |
12/14/2015 |
| Belgium |
4/17/2013 |
$137,094 |
41 |
42 |
83 |
$227,903 |
12/14/2015 |
| Brazil |
3/29/2013 |
$975,828 |
306 |
306 |
894 |
$2,536,491 |
12/14/2015 |
| Bulgaria |
4/5/2013 |
$11,687 |
12 |
12 |
35 |
$37,250 |
12/30/2018 |
| Colombia |
11/8/2013 |
$0 |
0 |
8 |
24 |
$138,367 |
12/30/2018 |
| Croatia |
3/28/2013 |
$18,198 |
14 |
15 |
61 |
$52,056 |
12/30/2018 |
| Czech Republic |
3/28/2013 |
$78,575 |
67 |
67 |
186 |
$202,897 |
12/30/2018 |
| Denmark |
3/28/2013 |
$209,131 |
56 |
56 |
129 |
$500,499 |
12/14/2015 |
| Egypt |
4/11/2013 |
$14,983 |
7 |
7 |
15 |
$31,178 |
12/30/2018 |
| Estonia |
4/5/2013 |
$17,496 |
6 |
6 |
12 |
$39,726 |
12/14/2015 |
| Finland |
3/29/2013 |
$100,810 |
60 |
60 |
121 |
$227,610 |
12/14/2015 |
| France |
4/17/2013 |
$1,461,953 |
517 |
517 |
1031 |
$2,682,394 |
12/14/2015 |
| Greece |
4/11/2013 |
$5,607 |
46829 |
46829 |
46859 |
$100,858 |
12/14/2015 |
| Hong Kong |
4/18/2013 |
$130,743 |
61 |
61 |
65 |
$182,838 |
12/14/2015 |
| Hungary |
3/28/2013 |
$97,397 |
35 |
35 |
175 |
$225,550 |
12/30/2018 |
| Italy |
3/28/2013 |
$613,604 |
209 |
209 |
354 |
$1,130,595 |
12/14/2015 |
| Latvia |
4/5/2013 |
$12,094 |
3 |
4 |
13 |
$41,084 |
12/30/2018 |
| Lebanon |
4/18/2013 |
$39,383 |
15 |
15 |
22 |
$47,232 |
12/30/2018 |
| Lithuania |
3/29/2013 |
$17,225 |
11 |
11 |
39 |
$68,227 |
12/14/2015 |
| Malaysia |
4/4/2013 |
$350,126 |
96 |
96 |
300 |
$781,469 |
12/14/2015 |
| Netherlands |
3/28/2013 |
$228,912 |
88 |
88 |
253 |
$519,741 |
12/14/2015 |
| New Zealand |
3/28/2013 |
$168,772 |
47 |
48 |
179 |
$455,904 |
12/14/2015 |
| North America |
3/29/2013 |
$10,600,112 |
3,202 |
3,202 |
11,424 |
$26,623,701 |
12/11/2014 |
| Norway |
3/27/2013 |
$96,747 |
78 |
78 |
211 |
$418,021 |
12/14/2015 |
| Philippines |
3/30/2013 |
$103,230 |
65 |
75 |
162 |
$490,818 |
12/30/2018 |
| Poland |
4/5/2013 |
$308,564 |
127 |
143 |
490 |
$899,437 |
12/30/2018 |
| Portugal |
3/28/2013 |
$91,032 |
32 |
32 |
80 |
$210,843 |
12/14/2015 |
| Romania |
3/29/2013 |
$48,209 |
28 |
28 |
82 |
$119,155 |
12/30/2018 |
| Russia (CIS) |
3/28/2013 |
$2,687,324 |
784 |
796 |
2000 |
$4,715,874 |
12/30/2018 |
| Serbia and Montenegro |
3/28/2013 |
$4,607 |
10 |
10 |
50 |
$10,370 |
12/30/2018 |
| Singapore |
3/28/2013 |
$155,210 |
23 |
23 |
52 |
$288,244 |
12/14/2015 |
| Slovakia |
4/4/2013 |
$33,842 |
36 |
36 |
64 |
$62,894 |
12/14/2015 |
| Slovenia |
3/28/2013 |
$14,396 |
9 |
9 |
36 |
$41,185 |
12/14/2015 |
| South Africa |
4/12/2013 |
$165,407 |
79 |
80 |
228 |
$379,711 |
12/14/2015 |
| South Korea |
4/4/2013 |
$164,107 |
244 |
244 |
244 |
$218,557 |
12/14/2015 |
| Spain |
3/22/2013 |
$1,084,151 |
360 |
360 |
1479 |
$3,436,988 |
12/14/2015 |
| Sweden |
3/27/2013 |
$167,229 |
110 |
110 |
312 |
$773,158 |
12/14/2015 |
| Switzerland |
4/17/2013 |
$32,389 |
12 |
12 |
12 |
$35,946 |
12/14/2015 |
| Taiwan |
4/3/2013 |
$140,251 |
36 |
36 |
96 |
$507,795 |
12/14/2015 |
| Thailand |
4/4/2013 |
$200,705 |
49 |
49 |
123 |
$486,279 |
12/14/2015 |
| Turkey |
3/29/2013 |
$92,911 |
68 |
68 |
226 |
$312,904 |
12/30/2018 |
| Ukraine |
3/28/2013 |
$98,422 |
61 |
66 |
181 |
$210,296 |
12/30/2018 |
| United Arab Emirates |
4/18/2013 |
$194,471 |
36 |
36 |
50 |
$290,081 |
12/30/2018 |
| United Kingdom |
3/29/2013 |
$1,490,291 |
432 |
441 |
1515 |
$5,248,157 |
12/14/2015 |
| |
| Rest of World |
$5,986,318 |
|
| |
| Worldwide Total | $64,477,051 |
12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.