Half the Road (2014)

Half the Road poster
Theatrical Performance
Domestic Box Office $4,783Details
Home Market Performance
Est. Domestic DVD Sales $45,608 Details
Total Est. Domestic Video Sales $45,608
Further financial details...

Synopsis

Pro cyclist Kathryn Bertine explores the world of women's cycling, focusing on both the love of sport and the pressing issues of inequality that modern-day female athletes face. With footage from some of the world’s best races to interviews with Olympians, World Champions, coaches, officials, doctors and notable women who have achieved inroads in other sports, Half the Road offers an insight into the drive, dedication, and passion it takes for a female athlete to thrive.

Metrics

Opening Weekend:$1,613 (33.7% of total gross)
Legs:2.80 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2 opening theaters/2 max. theaters, 1.5 weeks average run per theater
Infl. Adj. Dom. BO $6,306

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 17,701-17,800) 17,765 $4,783
All Time Worldwide Box Office (Rank 36,701-36,800) 36,708 $4,783
All Time Domestic Highest Grossing Limited Release Movies (Rank 8,601-8,700) 8,680 $4,783

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: April 18th, 2014 (Limited) by First Run Features
Video Release: July 8th, 2014 by First Run Home
MPAA Rating: Not Rated
Running Time: 106 minutes
Comparisons: Create your own comparison chart…
Keywords: Cycling, Sexism, Inspirational Sports, Agitprop, Voiceover/Narration
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: False Flat Films, Bertine Enterprises
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 18, 2014 83 $1,613   2 $807   $1,613 1
May 30, 2014 78 $1,709   1 $1,709   $4,632 7

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 18, 2014 73 $2,923   2 $1,462   $2,923 1
May 30, 2014 83 $1,860   1 $1,860   $4,783 7

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Evelyn Stevens    Herself

Interviewee(s)

Kristin Armstrong    Herself
Ina Teutenberg    Herself
Emma Pooley    Herself
Marianne Vos    Herself
Rochelle Gilmore    Herself
Amber Neben    Herself
Amber Pierce    Herself
Connie Carpenter    Herself
Alison Tetrick    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kathryn Bertine    Director
Jeff Lund    Executive Producer
Kellogg LTD    Executive Producer
Kevin Tokstad    Editor
Kevin Tokstad    Director of Photography

Per Theater Chart: Fade Sharpens into Focus

April 23rd, 2014

Fading Gigolo poster

Fading Gigolo debuted on top of the per theater chart with an average of $36,160 in five theaters. This is the second best per theater average for a 2014 release behind The Grand Budapest Hotel. Granted, it was well behind that film, but still in second place. Also, given the film's reviews, it won't last very long at the box office. The only other film to reach the $10,000 club was Godzilla: The Original Japanese Version, which celebrated its 60th anniversary with $10,903 in one theater. More...

Limited Releases: Fading Chances

April 18th, 2014

Trailer Park Boys 3: Don't Legalize It poster

It is a busy week for limited releases, but not a good week. Arguably the best film is Gojira, which is getting a re-release for its 60th anniversary. As for new films, The Final Member and Gabrielle are earning the best reviews. However, I'm most interested in seeing Trailer Park Boys: Don't Legalize It. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Pro cyclist Kathryn Bertine explores the world of women's cycling, focusing on both the love of sport and the pressing issues of inequality that modern-day female athletes face. With footage from some of the world’s best races to interviews with Olympians, World Champions, coaches, officials, doctors and notable women who have achieved inroads in other sports, Half the Road offers an insight into the drive, dedication, and passion it takes for a female athlete to thrive.

Metrics

Opening Weekend:$1,613 (33.7% of total gross)
Legs:2.80 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2 opening theaters/2 max. theaters, 1.5 weeks average run per theater
Infl. Adj. Dom. BO $6,306

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 17,701-17,800) 17,765 $4,783
All Time Worldwide Box Office (Rank 36,701-36,800) 36,708 $4,783
All Time Domestic Highest Grossing Limited Release Movies (Rank 8,601-8,700) 8,680 $4,783

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: April 18th, 2014 (Limited) by First Run Features
Video Release: July 8th, 2014 by First Run Home
MPAA Rating: Not Rated
Running Time: 106 minutes
Comparisons: Create your own comparison chart…
Keywords: Cycling, Sexism, Inspirational Sports, Agitprop, Voiceover/Narration
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: False Flat Films, Bertine Enterprises
Production Countries: United States
Languages: English

Lead Ensemble Members

Evelyn Stevens    Herself

Interviewee(s)

Kristin Armstrong    Herself
Ina Teutenberg    Herself
Emma Pooley    Herself
Marianne Vos    Herself
Rochelle Gilmore    Herself
Amber Neben    Herself
Amber Pierce    Herself
Connie Carpenter    Herself
Alison Tetrick    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kathryn Bertine    Director
Jeff Lund    Executive Producer
Kellogg LTD    Executive Producer
Kevin Tokstad    Editor
Kevin Tokstad    Director of Photography

Per Theater Chart: Fade Sharpens into Focus

April 23rd, 2014

Fading Gigolo poster

Fading Gigolo debuted on top of the per theater chart with an average of $36,160 in five theaters. This is the second best per theater average for a 2014 release behind The Grand Budapest Hotel. Granted, it was well behind that film, but still in second place. Also, given the film's reviews, it won't last very long at the box office. The only other film to reach the $10,000 club was Godzilla: The Original Japanese Version, which celebrated its 60th anniversary with $10,903 in one theater. More...

Limited Releases: Fading Chances

April 18th, 2014

Trailer Park Boys 3: Don't Legalize It poster

It is a busy week for limited releases, but not a good week. Arguably the best film is Gojira, which is getting a re-release for its 60th anniversary. As for new films, The Final Member and Gabrielle are earning the best reviews. However, I'm most interested in seeing Trailer Park Boys: Don't Legalize It. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 18, 2014 83 $1,613   2 $807   $1,613 1
May 30, 2014 78 $1,709   1 $1,709   $4,632 7

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 18, 2014 73 $2,923   2 $1,462   $2,923 1
May 30, 2014 83 $1,860   1 $1,860   $4,783 7

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.