The Disappointments Room (2016)

The Disappointments Room
Theatrical Performance
Domestic Box Office $2,423,467Details
International Box Office $1,080,294Details
Worldwide Box Office $3,503,761
OpusData ID: 215900100
Further financial details...

Synopsis

Dana and David move from Brooklyn to a once-grand southern mansion with their 5 year old son looking for a fresh start. But Dana’s discovery of a secret room unleashes un-explainable events that test her sanity and slowly reveal the home's terrifying past

Metrics

Opening Weekend:$1,402,822 (57.9% of total gross)
Legs:1.73 (domestic box office/biggest weekend)
Domestic Share:69.2% (domestic box office/worldwide)
Production Budget:$15,000,000 (worldwide box office is 0.2 times production budget)
Theater counts:1,554 opening theaters/1,554 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $3,168,723

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,901-8,000) 7,951 $2,423,467
All Time International Box Office (Rank 11,501-11,600) 11,522 $1,080,294
All Time Worldwide Box Office (Rank 11,701-11,800) 11,720 $3,503,761
All Time Domestic Box Office for R Movies (Rank 3,001-3,100) 3,044 $2,423,467
All Time International Box Office for R Movies (Rank 2,401-2,500) 2,489 $1,080,294
All Time Worldwide Box Office for R Movies (Rank 3,301-3,400) 3,366 $3,503,761

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: September 9th, 2016 (Wide) by Relativity
International Releases: November 25th, 2016 (Wide) (Brazil)
December 9th, 2016 (Wide) (Australia)
December 14th, 2016 (Wide), released as El Ático (Mexico)
January 6th, 2017 (Wide), released as Sala Oculta (Portugal)
Video Release: December 13th, 2016 by Fox Home Entertainment
MPAA Rating: R for violent content, bloody images, some sexuality and language.
(Rating bulletin 2438 (Cert #49954), 8/17/2016)
Running Time: 91 minutes
Comparisons: vs. Morgan
Create your own comparison chart…
Keywords: Supernatural, Based on an UNTRUE Story, Family Secrets, Psychological Horror
Source:Based on Real Life Events
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Rogue Pictures, Los Angeles Media Fund, Relativity Media, Media Talent Group, Demarest Films
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 7,901-8,000) 7,951 $2,423,467
All Time Domestic Inflation Adjusted Box Office (Rank 7,701-7,800) 7,709 $3,168,723
All Time Domestic Non-Sequel Box Office (Rank 7,001-7,100) 7,065 $2,423,467
Top-grossing movies at the domestic box office first released in 2016 (Rank 101-200) 193 $2,423,467
All Time Domestic Box Office for Based on Real Life Events Movies (Rank 501-600) 594 $2,423,467
All Time Domestic Box Office for Live Action Movies (Rank 7,101-7,200) 7,168 $2,423,467
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 4,201-4,300) 4,232 $2,423,467
All Time Domestic Box Office for Horror Movies (Rank 601-700) 620 $2,423,467
All Time Domestic Box Office for R Movies (Rank 3,001-3,100) 3,044 $2,423,467
All Time Domestic Box Office for Relativity Movies 32 $2,423,467

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 9, 2016 17 $1,402,822   1,554 $903   $1,402,822 1
Sep 16, 2016 24 $377,322 -73% 1,554 $243   $2,218,097 2
Sep 23, 2016 69 $9,643 -97% 36 $268   $2,395,049 3
Sep 30, 2016 82 $3,749 -61% 10 $375   $2,402,845 4
Oct 7, 2016 95 $2,434 -35% 4 $609   $2,405,852 5
Oct 14, 2016 75 $5,667 +133% 4 $1,417   $2,411,579 6

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 9, 2016 15 $474,220     1,554 $305   $474,220 1
Sep 10, 2016 - $591,325 +25%   1,554 $381   $1,065,545 2
Sep 11, 2016 - $337,277 -43%   1,554 $217   $1,402,822 3
Sep 12, 2016 - $111,744 -67%   1,554 $72   $1,514,566 4
Sep 13, 2016 - $149,121 +33%   1,554 $96   $1,663,687 5
Sep 14, 2016 - $103,147 -31%   1,554 $66   $1,766,834 6
Sep 15, 2016 - $73,941 -28%   1,554 $48   $1,840,775 7
Sep 16, 2016 - $111,133 +50% -77% 1,554 $72   $1,951,908 8
Sep 17, 2016 - $170,004 +53% -71% 1,554 $109   $2,121,912 9
Sep 18, 2016 - $96,185 -43% -71% 1,554 $62   $2,218,097 10
Sep 19, 2016 - $40,510 -58% -64% 1,554 $26   $2,258,607 11
Sep 20, 2016 - $53,890 +33% -64% 1,554 $35   $2,312,497 12
Sep 21, 2016 - $41,021 -24% -60% 1,554 $26   $2,353,518 13
Sep 22, 2016 - $31,888 -22% -57% 1,554 $21   $2,385,406 14
Sep 23, 2016 - $2,919 -91% -97% 36 $81   $2,388,325 15
Sep 24, 2016 - $4,480 +53% -97% 36 $124   $2,392,805 16
Sep 25, 2016 - $2,244 -50% -98% 36 $62   $2,395,049 17
Sep 26, 2016 - $1,075 -52% -97% 36 $30   $2,396,124 18
Sep 27, 2016 - $1,071 n/c -98% 36 $30   $2,397,195 19
Sep 28, 2016 - $1,287 +20% -97% 36 $36   $2,398,482 20
Sep 29, 2016 - $614 -52% -98% 36 $17   $2,399,096 21
Sep 30, 2016 - $1,047 +71% -64% 10 $105   $2,400,143 22
Oct 1, 2016 - $2,176 +108% -51% 10 $218   $2,402,319 23
Oct 2, 2016 - $526 -76% -77% 10 $53   $2,402,845 24
Oct 3, 2016 - $116 -78% -89% 10 $12   $2,402,961 25
Oct 4, 2016 - $142 +22% -87% 10 $14   $2,403,103 26
Oct 5, 2016 - $227 +60% -82% 10 $23   $2,403,330 27
Oct 6, 2016 - $88 -61% -86% 10 $9   $2,403,418 28
Oct 7, 2016 - $962 +993% -8% 4 $241   $2,404,380 29
Oct 8, 2016 - $931 -3% -57% 4 $233   $2,405,311 30
Oct 9, 2016 - $541 -42% +3% 4 $135   $2,405,852 31
Oct 11, 2016 - $20   -86% 4 $5   $2,405,872 33
Oct 13, 2016 - $40   -55% 4 $10   $2,405,912 35
Oct 14, 2016 - $1,529 +3,723% +59% 4 $382   $2,407,441 36
Oct 15, 2016 - $2,325 +52% +150% 4 $581   $2,409,766 37
Oct 16, 2016 - $1,813 -22% +235% 4 $453   $2,411,579 38
Oct 17, 2016 - $632 -65%   4 $158   $2,412,211 39
Oct 18, 2016 - $650 +3% +3,150% 4 $163   $2,412,861 40
Oct 19, 2016 - $549 -16%   4 $137   $2,413,410 41
Oct 20, 2016 - $667 +21% +1,568% 4 $167   $2,414,077 42

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 9, 2016 17 $1,840,775   1,554 $1,185   $1,840,775 1
Sep 16, 2016 24 $544,631 -70% 1,554 $350   $2,385,406 2
Sep 23, 2016 74 $13,690 -97% 36 $380   $2,399,096 3
Sep 30, 2016 97 $4,322 -68% 10 $432   $2,403,418 4
Oct 7, 2016 101 $2,494 -42% 4 $624   $2,405,912 5
Oct 14, 2016 84 $8,165 +227% 4 $2,041   $2,414,077 6
Oct 21, 2016 86 $9,390 +15% 4 $2,348   $2,423,467 7

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 12/9/2016 $2,081 10 10 10 $2,081 12/12/2016
Brazil 11/25/2016 $191,193 262 262 388 $359,073 11/16/2018
Mexico 12/14/2016 $341,382 0 0 0 $692,834 12/28/2016
Portugal 1/6/2017 $11,031 11 11 31 $26,306 1/26/2017
 
International Total$1,080,294 11/16/2018

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 11,501-11,600) 11,522 $1,080,294
All Time International Non-Sequel Box Office (Rank 10,301-10,400) 10,356 $1,080,294
All Time International Box Office for Based on Real Life Events Movies (Rank 901-1,000) 931 $1,080,294
All Time International Box Office for Live Action Movies (Rank 9,601-9,700) 9,650 $1,080,294
All Time International Box Office for Contemporary Fiction Movies (Rank 6,101-6,200) 6,146 $1,080,294
All Time International Box Office for Horror Movies (Rank 601-700) 642 $1,080,294
All Time International Box Office for R Movies (Rank 2,401-2,500) 2,489 $1,080,294
All Time International Box Office for Relativity Movies 31 $1,080,294

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 11,701-11,800) 11,720 $3,503,761
All Time Worldwide Non-Sequel Box Office (Rank 10,401-10,500) 10,468 $3,503,761
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 801-900) 848 $3,503,761
All Time Worldwide Box Office for Live Action Movies (Rank 10,101-10,200) 10,169 $3,503,761
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 6,301-6,400) 6,320 $3,503,761
All Time Worldwide Box Office for Horror Movies (Rank 701-800) 719 $3,503,761
All Time Worldwide Box Office for R Movies (Rank 3,301-3,400) 3,366 $3,503,761
All Time Worldwide Box Office for Relativity Movies 33 $3,503,761

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.

Leading Cast

Kate Beckinsale    Dana

Supporting Cast

Mel Raido    David
Gerald McRaney    Judge Blacker
Lucas Till    Ben
Celia Weston    Marti
Duncan Joiner    Lucas
Michaela Conlin    Jules
Joely Fisher    Psychiatrist
Michael Landes    Teddy
Marcia De Rousse    Ms. Judith
Ella Jones    Laura
Charles Carroll    Old Man
Jennifer Leigh Mann    Mrs. Blacker
Gino Crognale    Puppeteer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

D.J. Caruso    Director
D.J. Caruso    Screenwriter
Wentworth Miller    Screenwriter
Geyer Kosinski    Producer
Tucker Tooley    Producer
Vincent Newman    Producer
Robbie Brenner    Executive Producer
Sam Englebardt    Executive Producer
William D. Johnson    Executive Producer
Wentworth Miller    Executive Producer
Jeffrey Soros    Executive Producer
Simon Horsman    Executive Producer
Adam Fields    Executive Producer
Kenneth L. Halsband*    Co-Producer
Patrick Peach    Co-Producer
Tony Grazia    Co-Producer
Patrick Murray    Associate Producer
Nicolas Charles    Associate Producer
Rogier Stoffers    Director of Photography
Tom Southwell    Production Designer
Vince Filippone    Editor
Brian Tyler    Composer
Bob Bowen    Music Supervisor
Marian Toy    Costume Designer
Deborah Aquila    Casting Director
Tricia Wood    Casting Director
James M. Freitag    Unit Production Manager
James M. Freitag    First Assistant Director
Allen Kupetsky    Second Assistant Director
Christopher Davey    Co-Producer
Jay Osterman    Associate Producer
Kenneth L. Halsband*    Executive in Charge of Production
Artie Malesci    Stunt Coordinator
John M. Bennett    Production Supervisor
D.J. Barton    Script Supervisor
Kevin Hardison    Art Director
Burton Rencher    Set Decorator
Jeffree Bloomer    Sound Mixer
Tom MacDonald    Costume Supervisor
Carolyn Dessert Lauterio    Costume Supervisor
Herita Jones    Make up
Gino Crognale    Special Make-up Effects
Howard Berger    Special Make-up Effects
Greg Nicotero*    Special Make-up Effects
Rod Ortega    Hairstylist
Christina Raye    Hairstylist
Ellen Pfirrmann    Location Manager
Larry Bivins    Special Effects Supervisor
Christopher Kulikowski    Post-Production Supervisor
Pascal Vaguelsy    Post-Production Supervisor
Rowan Maher    First Assistant Editor
Jasen Jax Nannini    Visual Effects Supervisor
Jasen Jax Nannini    Visual Effects Producer
Leslie Shatz    Re-recording Mixer
Chris David    Re-recording Mixer
Karen Baker Landers    Supervising Sound Editor
D. Chris Smith    Sound Designer
John C. Stuver    Dialogue Editor
Robert C. Jackson    Dialogue Editor
James Ashwill    Foley Mixer
Joe Lisanti    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for December 20th, 2016

December 19th, 2016

Sully

It’s the final Tuesday before Christmas and there are a few big releases that are trying to become last minute gifts. Sully is the best of the big releases, but according to Amazon.com, Dolly Parton's Christmas of Many Colors: Circle of Love is the best-selling new release of the week. I guess a very recent Christmas TV special makes sense near the top, but appearing at the very top it is surprising. As for the Pick of the Week, it is a coin-toss between Sully and Hitchcock/Truffaut on DVD or Blu-ray. Sully won the coin-toss. More...

Weekend Wrap-Up: Sully Saves the Box Office with $35.03 million

September 13th, 2016

Sully

Four films opened wide or semi-wide over the weekend, but only one of them, Sully, did well at the box office. It earned more than double its nearest competition, When the Bough Breaks, at $35.03 million to $14.20 million. The other two new releases bombed. Overall, the box office was flat, up 1.1% from last weekend to $101 million. This was also flat when compared to last year, down just 1.7%. Since this weekend was so close to last weekend, it should come as no surprise that the year-over-year comparison hardly moved. This time last week, 2016 was ahead of 2016 by just over 6.7%, while this week its lead is just under 6.8% at $8.10 billion to $7.58 billion. More...

Weekend Estimates: Sully Executes Safe Landing with $35.5 Million

September 11th, 2016

Sully

More...

Friday Estimates: Sully Breaks Bough

September 10th, 2016

When the Bough Breaks

Sully is the only new release not to disappoint this weekend, as it earned $12.21 million on Friday. This is well ahead of Tom Hanks’ recent trio of real-life movies. It tops Captain Philips’ opening day by nearly 50%, and that movie went on to earn more than $100 million domestically. Additionally, the film’s reviews improved and hit 84% positive. That’s on the low end of potential Awards Season buzz, but it isn’t impossible to get there. It also earned a solid A from CinemaScore, which suggests good word-of-mouth. As for its opening weekend chances, it is on pace for about $35 million over the weekend and I’m predicting $100 million domestically. There’s no way the studio isn’t happy with that. More...

Weekend Predictions: The Real Work Begins

September 8th, 2016

Morgan

The weekend after the Labor Day long weekend is often the worst weekend of the year. However, this year there two films opening wide that have a real shot at $20 million or more. Sully is Oscar-bait, but it is opening a little too early for that role and its reviews are a little below where they need to be. When the Bough Breaks is a thriller aimed at African-Americans and this time of year has become the perfect time to release such a film. Those two films should earn $50 million combined. Unfortunately, there are two other films coming out this week. The Wild Life is a third-tier animated film, while The Disappointments Room isn’t even opening truly wide. There’s a chance neither of them will reach the top five. The Disappointments Room likely won’t reach the top ten. This weekend last year, the top two films were The Perfect Guy and The Visit, which combined earned just over $50 million at the box office. It should be a really close race in the year-over-year competition. More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

The Disappointments Room Trailer

August 25th, 2016

Supernatural horror starring Kate Beckinsale, directed by D.J. Caruso opens September 9 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Dana and David move from Brooklyn to a once-grand southern mansion with their 5 year old son looking for a fresh start. But Dana’s discovery of a secret room unleashes un-explainable events that test her sanity and slowly reveal the home's terrifying past

Metrics

Opening Weekend:$1,402,822 (57.9% of total gross)
Legs:1.73 (domestic box office/biggest weekend)
Domestic Share:69.2% (domestic box office/worldwide)
Production Budget:$15,000,000 (worldwide box office is 0.2 times production budget)
Theater counts:1,554 opening theaters/1,554 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $3,168,723

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,901-8,000) 7,951 $2,423,467
All Time International Box Office (Rank 11,501-11,600) 11,522 $1,080,294
All Time Worldwide Box Office (Rank 11,701-11,800) 11,720 $3,503,761
All Time Domestic Box Office for R Movies (Rank 3,001-3,100) 3,044 $2,423,467
All Time International Box Office for R Movies (Rank 2,401-2,500) 2,489 $1,080,294
All Time Worldwide Box Office for R Movies (Rank 3,301-3,400) 3,366 $3,503,761

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: September 9th, 2016 (Wide) by Relativity
International Releases: November 25th, 2016 (Wide) (Brazil)
December 9th, 2016 (Wide) (Australia)
December 14th, 2016 (Wide), released as El Ático (Mexico)
January 6th, 2017 (Wide), released as Sala Oculta (Portugal)
Video Release: December 13th, 2016 by Fox Home Entertainment
MPAA Rating: R for violent content, bloody images, some sexuality and language.
(Rating bulletin 2438 (Cert #49954), 8/17/2016)
Running Time: 91 minutes
Comparisons: vs. Morgan
Create your own comparison chart…
Keywords: Supernatural, Based on an UNTRUE Story, Family Secrets, Psychological Horror
Source:Based on Real Life Events
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Rogue Pictures, Los Angeles Media Fund, Relativity Media, Media Talent Group, Demarest Films
Production Countries: United States
Languages: English

Leading Cast

Kate Beckinsale    Dana

Supporting Cast

Mel Raido    David
Gerald McRaney    Judge Blacker
Lucas Till    Ben
Celia Weston    Marti
Duncan Joiner    Lucas
Michaela Conlin    Jules
Joely Fisher    Psychiatrist
Michael Landes    Teddy
Marcia De Rousse    Ms. Judith
Ella Jones    Laura
Charles Carroll    Old Man
Jennifer Leigh Mann    Mrs. Blacker
Gino Crognale    Puppeteer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

D.J. Caruso    Director
D.J. Caruso    Screenwriter
Wentworth Miller    Screenwriter
Geyer Kosinski    Producer
Tucker Tooley    Producer
Vincent Newman    Producer
Robbie Brenner    Executive Producer
Sam Englebardt    Executive Producer
William D. Johnson    Executive Producer
Wentworth Miller    Executive Producer
Jeffrey Soros    Executive Producer
Simon Horsman    Executive Producer
Adam Fields    Executive Producer
Kenneth L. Halsband*    Co-Producer
Patrick Peach    Co-Producer
Tony Grazia    Co-Producer
Patrick Murray    Associate Producer
Nicolas Charles    Associate Producer
Rogier Stoffers    Director of Photography
Tom Southwell    Production Designer
Vince Filippone    Editor
Brian Tyler    Composer
Bob Bowen    Music Supervisor
Marian Toy    Costume Designer
Deborah Aquila    Casting Director
Tricia Wood    Casting Director
James M. Freitag    Unit Production Manager
James M. Freitag    First Assistant Director
Allen Kupetsky    Second Assistant Director
Christopher Davey    Co-Producer
Jay Osterman    Associate Producer
Kenneth L. Halsband*    Executive in Charge of Production
Artie Malesci    Stunt Coordinator
John M. Bennett    Production Supervisor
D.J. Barton    Script Supervisor
Kevin Hardison    Art Director
Burton Rencher    Set Decorator
Jeffree Bloomer    Sound Mixer
Tom MacDonald    Costume Supervisor
Carolyn Dessert Lauterio    Costume Supervisor
Herita Jones    Make up
Gino Crognale    Special Make-up Effects
Howard Berger    Special Make-up Effects
Greg Nicotero*    Special Make-up Effects
Rod Ortega    Hairstylist
Christina Raye    Hairstylist
Ellen Pfirrmann    Location Manager
Larry Bivins    Special Effects Supervisor
Christopher Kulikowski    Post-Production Supervisor
Pascal Vaguelsy    Post-Production Supervisor
Rowan Maher    First Assistant Editor
Jasen Jax Nannini    Visual Effects Supervisor
Jasen Jax Nannini    Visual Effects Producer
Leslie Shatz    Re-recording Mixer
Chris David    Re-recording Mixer
Karen Baker Landers    Supervising Sound Editor
D. Chris Smith    Sound Designer
John C. Stuver    Dialogue Editor
Robert C. Jackson    Dialogue Editor
James Ashwill    Foley Mixer
Joe Lisanti    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for December 20th, 2016

December 19th, 2016

Sully

It’s the final Tuesday before Christmas and there are a few big releases that are trying to become last minute gifts. Sully is the best of the big releases, but according to Amazon.com, Dolly Parton's Christmas of Many Colors: Circle of Love is the best-selling new release of the week. I guess a very recent Christmas TV special makes sense near the top, but appearing at the very top it is surprising. As for the Pick of the Week, it is a coin-toss between Sully and Hitchcock/Truffaut on DVD or Blu-ray. Sully won the coin-toss. More...

Weekend Wrap-Up: Sully Saves the Box Office with $35.03 million

September 13th, 2016

Sully

Four films opened wide or semi-wide over the weekend, but only one of them, Sully, did well at the box office. It earned more than double its nearest competition, When the Bough Breaks, at $35.03 million to $14.20 million. The other two new releases bombed. Overall, the box office was flat, up 1.1% from last weekend to $101 million. This was also flat when compared to last year, down just 1.7%. Since this weekend was so close to last weekend, it should come as no surprise that the year-over-year comparison hardly moved. This time last week, 2016 was ahead of 2016 by just over 6.7%, while this week its lead is just under 6.8% at $8.10 billion to $7.58 billion. More...

Weekend Estimates: Sully Executes Safe Landing with $35.5 Million

September 11th, 2016

Sully

More...

Friday Estimates: Sully Breaks Bough

September 10th, 2016

When the Bough Breaks

Sully is the only new release not to disappoint this weekend, as it earned $12.21 million on Friday. This is well ahead of Tom Hanks’ recent trio of real-life movies. It tops Captain Philips’ opening day by nearly 50%, and that movie went on to earn more than $100 million domestically. Additionally, the film’s reviews improved and hit 84% positive. That’s on the low end of potential Awards Season buzz, but it isn’t impossible to get there. It also earned a solid A from CinemaScore, which suggests good word-of-mouth. As for its opening weekend chances, it is on pace for about $35 million over the weekend and I’m predicting $100 million domestically. There’s no way the studio isn’t happy with that. More...

Weekend Predictions: The Real Work Begins

September 8th, 2016

Morgan

The weekend after the Labor Day long weekend is often the worst weekend of the year. However, this year there two films opening wide that have a real shot at $20 million or more. Sully is Oscar-bait, but it is opening a little too early for that role and its reviews are a little below where they need to be. When the Bough Breaks is a thriller aimed at African-Americans and this time of year has become the perfect time to release such a film. Those two films should earn $50 million combined. Unfortunately, there are two other films coming out this week. The Wild Life is a third-tier animated film, while The Disappointments Room isn’t even opening truly wide. There’s a chance neither of them will reach the top five. The Disappointments Room likely won’t reach the top ten. This weekend last year, the top two films were The Perfect Guy and The Visit, which combined earned just over $50 million at the box office. It should be a really close race in the year-over-year competition. More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

The Disappointments Room Trailer

August 25th, 2016

Supernatural horror starring Kate Beckinsale, directed by D.J. Caruso opens September 9 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 7,901-8,000) 7,951 $2,423,467
All Time Domestic Inflation Adjusted Box Office (Rank 7,701-7,800) 7,709 $3,168,723
All Time Domestic Non-Sequel Box Office (Rank 7,001-7,100) 7,065 $2,423,467
Top-grossing movies at the domestic box office first released in 2016 (Rank 101-200) 193 $2,423,467
All Time Domestic Box Office for Based on Real Life Events Movies (Rank 501-600) 594 $2,423,467
All Time Domestic Box Office for Live Action Movies (Rank 7,101-7,200) 7,168 $2,423,467
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 4,201-4,300) 4,232 $2,423,467
All Time Domestic Box Office for Horror Movies (Rank 601-700) 620 $2,423,467
All Time Domestic Box Office for R Movies (Rank 3,001-3,100) 3,044 $2,423,467
All Time Domestic Box Office for Relativity Movies 32 $2,423,467

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 9, 2016 17 $1,402,822   1,554 $903   $1,402,822 1
Sep 16, 2016 24 $377,322 -73% 1,554 $243   $2,218,097 2
Sep 23, 2016 69 $9,643 -97% 36 $268   $2,395,049 3
Sep 30, 2016 82 $3,749 -61% 10 $375   $2,402,845 4
Oct 7, 2016 95 $2,434 -35% 4 $609   $2,405,852 5
Oct 14, 2016 75 $5,667 +133% 4 $1,417   $2,411,579 6

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 9, 2016 15 $474,220     1,554 $305   $474,220 1
Sep 10, 2016 - $591,325 +25%   1,554 $381   $1,065,545 2
Sep 11, 2016 - $337,277 -43%   1,554 $217   $1,402,822 3
Sep 12, 2016 - $111,744 -67%   1,554 $72   $1,514,566 4
Sep 13, 2016 - $149,121 +33%   1,554 $96   $1,663,687 5
Sep 14, 2016 - $103,147 -31%   1,554 $66   $1,766,834 6
Sep 15, 2016 - $73,941 -28%   1,554 $48   $1,840,775 7
Sep 16, 2016 - $111,133 +50% -77% 1,554 $72   $1,951,908 8
Sep 17, 2016 - $170,004 +53% -71% 1,554 $109   $2,121,912 9
Sep 18, 2016 - $96,185 -43% -71% 1,554 $62   $2,218,097 10
Sep 19, 2016 - $40,510 -58% -64% 1,554 $26   $2,258,607 11
Sep 20, 2016 - $53,890 +33% -64% 1,554 $35   $2,312,497 12
Sep 21, 2016 - $41,021 -24% -60% 1,554 $26   $2,353,518 13
Sep 22, 2016 - $31,888 -22% -57% 1,554 $21   $2,385,406 14
Sep 23, 2016 - $2,919 -91% -97% 36 $81   $2,388,325 15
Sep 24, 2016 - $4,480 +53% -97% 36 $124   $2,392,805 16
Sep 25, 2016 - $2,244 -50% -98% 36 $62   $2,395,049 17
Sep 26, 2016 - $1,075 -52% -97% 36 $30   $2,396,124 18
Sep 27, 2016 - $1,071 n/c -98% 36 $30   $2,397,195 19
Sep 28, 2016 - $1,287 +20% -97% 36 $36   $2,398,482 20
Sep 29, 2016 - $614 -52% -98% 36 $17   $2,399,096 21
Sep 30, 2016 - $1,047 +71% -64% 10 $105   $2,400,143 22
Oct 1, 2016 - $2,176 +108% -51% 10 $218   $2,402,319 23
Oct 2, 2016 - $526 -76% -77% 10 $53   $2,402,845 24
Oct 3, 2016 - $116 -78% -89% 10 $12   $2,402,961 25
Oct 4, 2016 - $142 +22% -87% 10 $14   $2,403,103 26
Oct 5, 2016 - $227 +60% -82% 10 $23   $2,403,330 27
Oct 6, 2016 - $88 -61% -86% 10 $9   $2,403,418 28
Oct 7, 2016 - $962 +993% -8% 4 $241   $2,404,380 29
Oct 8, 2016 - $931 -3% -57% 4 $233   $2,405,311 30
Oct 9, 2016 - $541 -42% +3% 4 $135   $2,405,852 31
Oct 11, 2016 - $20   -86% 4 $5   $2,405,872 33
Oct 13, 2016 - $40   -55% 4 $10   $2,405,912 35
Oct 14, 2016 - $1,529 +3,723% +59% 4 $382   $2,407,441 36
Oct 15, 2016 - $2,325 +52% +150% 4 $581   $2,409,766 37
Oct 16, 2016 - $1,813 -22% +235% 4 $453   $2,411,579 38
Oct 17, 2016 - $632 -65%   4 $158   $2,412,211 39
Oct 18, 2016 - $650 +3% +3,150% 4 $163   $2,412,861 40
Oct 19, 2016 - $549 -16%   4 $137   $2,413,410 41
Oct 20, 2016 - $667 +21% +1,568% 4 $167   $2,414,077 42

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 9, 2016 17 $1,840,775   1,554 $1,185   $1,840,775 1
Sep 16, 2016 24 $544,631 -70% 1,554 $350   $2,385,406 2
Sep 23, 2016 74 $13,690 -97% 36 $380   $2,399,096 3
Sep 30, 2016 97 $4,322 -68% 10 $432   $2,403,418 4
Oct 7, 2016 101 $2,494 -42% 4 $624   $2,405,912 5
Oct 14, 2016 84 $8,165 +227% 4 $2,041   $2,414,077 6
Oct 21, 2016 86 $9,390 +15% 4 $2,348   $2,423,467 7

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 12/9/2016 $2,081 10 10 10 $2,081 12/12/2016
Brazil 11/25/2016 $191,193 262 262 388 $359,073 11/16/2018
Mexico 12/14/2016 $341,382 0 0 0 $692,834 12/28/2016
Portugal 1/6/2017 $11,031 11 11 31 $26,306 1/26/2017
 
International Total$1,080,294 11/16/2018

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 11,501-11,600) 11,522 $1,080,294
All Time International Non-Sequel Box Office (Rank 10,301-10,400) 10,356 $1,080,294
All Time International Box Office for Based on Real Life Events Movies (Rank 901-1,000) 931 $1,080,294
All Time International Box Office for Live Action Movies (Rank 9,601-9,700) 9,650 $1,080,294
All Time International Box Office for Contemporary Fiction Movies (Rank 6,101-6,200) 6,146 $1,080,294
All Time International Box Office for Horror Movies (Rank 601-700) 642 $1,080,294
All Time International Box Office for R Movies (Rank 2,401-2,500) 2,489 $1,080,294
All Time International Box Office for Relativity Movies 31 $1,080,294

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 11,701-11,800) 11,720 $3,503,761
All Time Worldwide Non-Sequel Box Office (Rank 10,401-10,500) 10,468 $3,503,761
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 801-900) 848 $3,503,761
All Time Worldwide Box Office for Live Action Movies (Rank 10,101-10,200) 10,169 $3,503,761
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 6,301-6,400) 6,320 $3,503,761
All Time Worldwide Box Office for Horror Movies (Rank 701-800) 719 $3,503,761
All Time Worldwide Box Office for R Movies (Rank 3,301-3,400) 3,366 $3,503,761
All Time Worldwide Box Office for Relativity Movies 33 $3,503,761

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.