| Best known as a Sound Effects Editor based on credits in that role in 2 films, with $26,670,748 worldwide aggregate box office (rank #830) |
| Best-known technical roles: Pee Wee\'s Big Adventure (Supervising Sound Editor), The Quick and the Dead (Sound Editor), The Fan (Sound Effects Editor), Nick of Time (Sound Effects Editor) |
| Most productive collaborators: Tim Burton, Robert Shapiro, Elizabeth Daily, Mark Holton, Richard Gilbert Abramson |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Sound Effects Editor | 2 | $26,670,748 | $0 | $26,670,748 |
| Supervising Sound Editor | 1 | $40,940,662 | $0 | $40,940,662 | |
| Sound Editor | 1 | $18,552,460 | $293 | $18,552,753 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Aug 16, 1996 | The Fan | Sound Effects Editor | $18,582,965 | $18,582,965 | |
| Nov 22, 1995 | Nick of Time | Sound Effects Editor | $8,087,783 | $8,087,783 | |
| Feb 10, 1995 | The Quick and the Dead | Sound Editor | $18,552,460 | $293 | $18,552,753 |
| Jul 26, 1985 | Pee Wee's Big Adventure | Supervising Sound Editor | $40,940,662 | $40,940,662 | |
| Averages | $21,540,968 | $293 | $21,541,041 | ||
| Totals | 4 | $86,163,870 | $293 | $86,164,163 | |
