Richard Marks

Best known as an Editor based on credits in that role in 10 films, with $1,137,598,210 worldwide aggregate box office (rank #193)
Best-known technical roles: Julie & Julia (Editor), As Good as it Gets (Co-Producer), As Good as it Gets (Editor), You’ve Got Mail (Editor), Dick Tracy (Editor)
Most productive collaborators: James L. Brooks, Laurence Mark, Jack Nicholson, Greg Kinnear, Richard Sakai
                                    

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesEditor10$721,067,614$416,530,596$1,137,598,210
Co-Producer3$220,734,952$197,349,469$418,084,421
Second Unit Director1$103,738,726$59,000,000$162,738,726

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Co-Producer at the Domestic Box Office (Rank 101-200) 169 $220,734,952
Top Grossing Editor at the Domestic Box Office (Rank 101-200) 133 $721,067,614
Top Grossing Second Unit Director at the Domestic Box Office (Rank 201-300) 201 $103,738,726
Top Grossing Co-Producer at the International Box Office (Rank 301-400) 304 $197,349,469
Top Grossing Editor at the International Box Office (Rank 201-300) 267 $416,530,596
Top Grossing Second Unit Director at the International Box Office (Rank 201-300) 285 $59,000,000
Top Grossing Co-Producer at the Worldwide Box Office (Rank 201-300) 227 $418,084,421
Top Grossing Editor at the Worldwide Box Office (Rank 101-200) 193 $1,137,598,210
Top Grossing Second Unit Director at the Worldwide Box Office (Rank 201-300) 254 $162,738,726

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Dec 17, 2010How Do You Know? Co-Producer $30,212,620$19,415,557$49,628,177
Aug 7, 2009Julie & Julia Editor $94,125,426$37,390,752$131,516,178
Dec 17, 2004Spanglish Editor
Co-Producer		 $42,044,321$12,300,000$54,344,321
Nov 26, 2003Timeline Editor $19,480,739$7,222,445$26,703,184
Oct 19, 2001Riding in Cars with Boys Editor $29,781,453$29,781,453
Dec 18, 1998You’ve Got Mail Editor $115,821,495$134,978,505$250,800,000
Dec 24, 1997As Good as it Gets Co-Producer
Editor		 $148,478,011$165,633,912$314,111,923
Dec 20, 1991Father of the Bride Editor $89,325,780$89,325,780
Jun 15, 1990Dick Tracy Editor
Second Unit Director		 $103,738,726$59,000,000$162,738,726
Feb 28, 1986Pretty in Pink Editor $40,471,663$4,493$40,476,156
Jun 28, 1985St. Elmo’s Fire Editor $37,800,000$489$37,800,489
 
Averages $68,298,203$48,438,461$107,929,672
Totals 11 $751,280,234$435,946,153$1,187,226,387

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Co-Producer at the Domestic Box Office (Rank 101-200) 169 $220,734,952
Top Grossing Editor at the Domestic Box Office (Rank 101-200) 133 $721,067,614
Top Grossing Second Unit Director at the Domestic Box Office (Rank 201-300) 201 $103,738,726
Top Grossing Co-Producer at the International Box Office (Rank 301-400) 304 $197,349,469
Top Grossing Editor at the International Box Office (Rank 201-300) 267 $416,530,596
Top Grossing Second Unit Director at the International Box Office (Rank 201-300) 285 $59,000,000
Top Grossing Co-Producer at the Worldwide Box Office (Rank 201-300) 227 $418,084,421
Top Grossing Editor at the Worldwide Box Office (Rank 101-200) 193 $1,137,598,210
Top Grossing Second Unit Director at the Worldwide Box Office (Rank 201-300) 254 $162,738,726