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| Release Date | Title | Production Budget | Opening Weekend | Domestic Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Sep 1, 2023 | The Equalizer 3 | $70,000,000 | $34,604,229 | $92,373,751 | $191,067,560 |
| Jul 20, 2018 | The Equalizer 2 | $77,000,000 | $36,011,640 | $102,084,362 | $190,376,181 |
| Sep 26, 2014 | The Equalizer | $55,000,000 | $34,137,828 | $101,530,738 | $192,903,624 |
| Averages | $67,333,333 | $34,917,899 | $98,662,950 | $191,449,122 | |
| Totals | 3 | $202,000,000 | $295,988,851 | $574,347,365 | |
| Release Date | Title | Domestic Video Sales to Date | Watch Now |
|---|---|---|---|
| Feb 12, 2008 | The Equalizer Season 1 | ||
| Dec 30, 2014 | The Equalizer | $41,947,279 | Netflix Amazon iTunes Google Vudu |
| Nov 13, 2018 | The Equalizer 2 | $26,169,554 | Netflix Amazon iTunes Google Vudu |
| Sep 21, 2021 | The Equalizer: Season 1 | Amazon | |
| Sep 20, 2022 | The Equalizer: Season 2 | ||
| Oct 3, 2023 | The Equalizer 3 | $10,231,315 | Netflix Amazon iTunes Vudu |
| Nov 14, 2023 | The Equalizer 3-Movie Collection | $1,935,636 | Vudu |
| Oct 20, 2024 | The Equalizer: Season 5 | ||
| Totals | $80,283,784 | ||
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
| Date | Rank |
|---|---|
| Nov 11, 2023 | 4 |
September 14th, 2023
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Last week’s box office winner, The Nun II has gained ground in theaters from its opening frame, adding 15 locations for a total of 3,743 theaters, finding itself as this week’s widest release. The horror sequel tallied up $32.6 million in its opening weekend and currently holds a six-day total of just over $40 million. That total brings The Conjuring franchise to a worldwide total of just over $2.2 billion from nine films, including its predecessor, The Nun, which delivered $363 million of that back in September of 2018. This week will see the debut of three new wide releases, including the latest in the mysteries of Hercule Poirot.
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September 1st, 2023
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The question this weekend is not which film will win, but whether The Equalizer 3 will have the best opening weekend for an Equalizer film. The bar is set at $36 million, which was how much The Equalizer 2 managed back in 2018. Our model thinks the franchise capper could top that figure, although it doesn’t look like it will do so by much. With the likes of Barbie, Gran Turismo and Blue Beetle fading, there won’t be much competition for top spot.
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August 31st, 2023
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It will be one week and done for Blue Beetle as the widest release as this weekend’s only new wide release makes its way into theaters and to the top of the list in the form of the third installment of The Equalizer franchise. While Blue Beetle pulled in a solid $12 million in its second weekend, it was stymied by newcomer Gran Turismo: Based on a True Story, along with the continued success of worldwide phenom, Barbie, which took the first and second place prize respectively at the box office.
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August 24th, 2023
While holding steady from its opening count of 3,871 theaters, Blue Beetle becomes the latest film to become the widest release in its sophomore frame, partially due to Barbie finally dropping below the 4,000-theater mark after spending four of its five weeks as the most widely-available film in North America. Blue Beetle topped last weekend’s box office with just over $25 million and currently holds a six-day domestic total of $32.19 million. This week, however, brings on a slew of fresh films ready to challenge Blue Beetle and Barbie for the box office crown.
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July 1st, 2018
June was amazing, with two absolute monster hits and a solid $100 million hit. By the end of the month, 2018’s lead over 2017 will be well over $500 million, or close to 10%. Even if 2018 only managed to maintain this lead in terms of raw numbers for the rest of the year, it will be a massive jump at the box office. As for July, there are a couple of potential monster hits, Ant-Man and the Wasp and Mission: Impossible—Fallout, plus four potential $100 million hits. Last July, there was only one monster hit, Spider-Man: Homecoming, and three $100 million hits. I don’t think 2018 will match 2017 at the top, but 2018 appears to have more depth and that should put it a little ahead over the full month.
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Note: This list contains actors who appeared in at least two movies in the franchise.
| Person | Nr. of Movies | Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Denzel Washington | 3 | Robert McCall | $574,347,365 | $4,946,426,320 | 11.6% |
| Melissa Leo | 3 | Susan Plummer | $574,347,365 | $2,113,427,137 | 27.2% |
| Bill Pullman | 2 | Brian Plummer | $383,279,805 | $3,418,046,688 | 11.2% |
| Lance Norris | 2 | Butcher | $383,279,805 | $1,469,590,443 | 26.1% |
Note: This list contains people who contributed to at least two movies in the franchise.
| Person | Nr. of Movies | Technical Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Antoine Fuqua | 3 |
Director (3) Producer (2) |
$574,347,365 | $1,806,387,794 | 31.8% |
| Todd Black | 3 | Producer (3) | $574,347,365 | $2,650,024,797 | 21.7% |
| Jason Blumenthal | 3 | Producer (3) | $574,347,365 | $2,208,785,151 | 26.0% |
| Denzel Washington | 3 | Producer (3) | $574,347,365 | $1,078,720,288 | 53.2% |
| Steve Tisch | 3 | Producer (3) | $574,347,365 | $2,852,805,951 | 20.1% |
| Tony Eldridge | 3 | Producer (3) | $574,347,365 | $574,347,365 | 100.0% |
| David Bloomfield | 3 | Executive Producer (3) | $574,347,365 | $1,408,653,992 | 40.8% |
| Richard Wenk | 3 |
Screenwriter (3) Co-Producer (2) |
$574,347,365 | $1,424,268,368 | 40.3% |
| Naomi Shohan | 3 | Production Designer (3) | $574,347,365 | $1,978,849,961 | 29.0% |
| Mary Vernieu | 3 | Casting Director (3) | $574,347,365 | $11,203,569,286 | 5.1% |
| Kat Samick | 3 |
Associate Producer (1) Co-Producer (1) Executive Producer (1) |
$574,347,365 | $1,069,583,773 | 53.7% |
| Lindsay Graham | 3 | Casting Director (3) | $574,347,365 | $4,670,486,535 | 12.3% |
| Mandell Winter | 3 | Supervising Sound Editor (3) | $574,347,365 | $1,216,333,291 | 47.2% |
| Michael Sloan | 2 |
Producer (2) Story Creator (2) |
$383,279,805 | $383,279,805 | 100.0% |
| Mace Neufeld | 2 | Producer (2) | $383,279,805 | $1,862,599,483 | 20.6% |
| Alex Siskin | 2 | Producer (2) | $381,443,741 | $781,354,559 | 48.8% |
| Conrad Buff | 2 | Editor (2) | $381,443,741 | $7,097,939,356 | 5.4% |
| Harry Gregson-Williams | 2 | Composer (2) | $383,279,805 | $10,197,787,917 | 3.8% |
| Sean Devereaux | 2 | Visual Effects Supervisor (2) | $383,279,805 | $844,746,070 | 45.4% |
| Steve Pederson | 2 | Re-recording Mixer (2) | $383,279,805 | $5,229,167,129 | 7.3% |
| David Esparza | 2 |
Sound Designer (1) Supervising Sound Editor (1) |
$383,279,805 | $1,725,562,790 | 22.2% |
| Daniel J. Leahy | 2 | Re-recording Mixer (2) | $383,279,805 | $1,042,535,207 | 36.8% |
| Carole Kenneally | 2 | First Assistant Editor (2) | $381,443,741 | $546,593,043 | 69.8% |
