Spain Box Office for Now is Good (2012)

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Theatrical Performance (US$)
Spain Box Office $26,682Details
Worldwide Box Office $2,141,436Details
Further financial details...

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Metrics

Movie Details

Production Budget:$500,000
Spain Releases: July 11th, 2014 (Wide)
Video Release: January 8th, 2013 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for mature thematic material involving illness, sexuality, and drugs, and for brief strong language.
(Rating bulletin 2201, 12/7/2011)
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: BBC Films, BFI, TF1 Droits Audiovisuels, Rising Star Productions, Blueprint Films
Production Countries: United Kingdom
Languages: English

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2014/07/11 23 $12,522   35 $358   $12,522 1
2014/07/18 36 $1,535 -88% 21 $73   $26,682 2

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Belgium 10/31/2012 $27,561 9 9 17 $37,927 12/12/2015
Hungary 2/7/2013 $6,436 5 5 5 $6,436 12/30/2018
Portugal 2/28/2013 $10,462 8 8 8 $10,462 12/14/2015
South Korea 11/8/2012 $178,213 144 144 144 $226,621 12/12/2015
Spain 7/11/2014 $12,522 35 35 56 $26,682 12/17/2015
Taiwan 12/7/2012 $27,819 23 23 33 $80,536 12/13/2015
Thailand 12/5/2012 $10,716 27 27 37 $24,323 12/12/2015
Turkey 4/5/2013 $0 0 35 74 $91,951 12/30/2018
United Kingdom 9/19/2012 $504,303 305 305 575 $940,108 12/12/2015
 
Rest of World $696,390
 
Worldwide Total$2,141,436 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.

Uncategorized

Dakota Fanning   
Jeremy Irvine   
Paddy Considine   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ol Parker    Director
Mark Holt    Special Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.