| Theatrical Performance (US$) | ||
| South Korea Box Office | $1,236,275 | Details |
| Worldwide Box Office | $44,009,570 | Details |
| Further financial details... | ||
| South Korea Releases: | February 28th, 2018 (Wide), released as The Miracles of the Namiya General Store |
| Running Time: | 129 minutes |
| Keywords: | Mystery Drama, Time Travel, Juvenile Delinquent, Orphan |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | Japan |
| Languages: | Japanese |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/03/02 | 6 | $464,848 | 502 | $926 | $1,117,817 | 1 | |
| 2018/03/09 | 11 | $79,652 | -83% | 167 | $477 | $1,322,172 | 2 |
| 2018/03/16 | 23 | $12,029 | -85% | 27 | $446 | $1,342,228 | 3 |
| 2018/03/23 | - | $3,515 | -71% | 11 | $320 | $1,369,687 | 4 |
| 2019/06/14 | - | $2,104 | 1 | $2,104 | $1,244,410 | 68 | |
| 2020/06/19 | 24 | $6,435 | 27 | $238 | $1,226,083 | 121 | |
| 2020/06/26 | 20 | $8,379 | +30% | 28 | $299 | $1,236,275 | 122 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| China | 2/2/2018 | $22,060,000 | 49608 | 49608 | 88352 | $34,670,000 | 8/10/2018 |
| Japan | 9/22/2017 | $1,873,995 | 0 | 0 | 0 | $8,103,295 | 7/5/2018 |
| South Korea | 2/28/2018 | $464,848 | 502 | 502 | 763 | $1,236,275 | 7/1/2020 |
| Worldwide Total | $44,009,570 | 7/1/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
| Ryosuke Yamada | Atsuya | |
| Kanichiro Sato | Kohei | |
| Nijiro Murakami | Shota |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Ryuichi Hiroki | Director | |
| Hiroshi Saitô | Screenwriter | |
| Keigo Higashino | Story Creator |
