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| Theatrical Performance (US$) | ||
| France Box Office | $2,607,762 | Details |
| Worldwide Box Office | $8,719,182 | Details |
| Further financial details... | ||
| Production Budget: | $1,750,000 |
| France Releases: | October 12th, 2018 (Wide) |
| Video Release: | November 16th, 2018 by Netflix |
| MPAA Rating: | R for some sexual content, graphic nudity and brief disturbing content. (Rating bulletin 2555 (Cert #51702), 11/28/2018) |
| Running Time: | 109 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Belgium, Netherlands |
| Languages: | English, Flemish, French |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Bulgaria | 5/31/2019 | $0 | 0 | 0 | 0 | $1,971 | 6/11/2019 |
| France | 10/12/2018 | $713,823 | 0 | 310 | 1169 | $2,607,762 | 11/23/2018 |
| Italy | 9/27/2018 | $61,067 | 0 | 0 | 0 | $66,890 | 10/1/2018 |
| Lithuania | 11/16/2018 | $4,342 | 15 | 15 | 27 | $7,985 | 12/11/2018 |
| Netherlands | 11/2/2018 | $104,045 | 54 | 55 | 361 | $1,262,811 | 3/5/2019 |
| New Zealand | 7/4/2019 | $0 | 0 | 1 | 4 | $4,358 | 9/5/2019 |
| Portugal | 12/14/2018 | $1,925 | 7 | 7 | 17 | $12,159 | 5/16/2023 |
| Russia (CIS) | 2/8/2019 | $15,868 | 53 | 53 | 143 | $42,902 | 10/19/2022 |
| South Korea | 11/2/2018 | $0 | 0 | 0 | 0 | $850 | 11/9/2018 |
| Spain | 9/28/2018 | $40,651 | 55 | 55 | 103 | $108,816 | 10/11/2018 |
| Turkey | 1/4/2019 | $7,016 | 20 | 20 | 36 | $16,965 | 1/17/2019 |
| United Kingdom | 3/15/2019 | $31,729 | 24 | 24 | 32 | $31,729 | 11/29/2023 |
| Rest of World | $4,553,984 | ||||||
| Worldwide Total | $8,719,182 | 11/29/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
| Victor Polster | Lara |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Lukas Dhont | Director |
