| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 595950100 | ||
| Further financial details... | ||
| International Releases: | November 25th, 2022 (Limited) (Philippines) |
| Video Release: | January 24th, 2023 by Cleopatra Entertainment |
| Comparisons: | Create your own comparison chart… |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Cyprus |
| Languages: | English |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Philippines | 11/25/2022 | $0 | 0 | 0 | 0 | $0 | |
| International Total | $0 | ||||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
| Francesco Cinquemani | Director |
| International Releases: | November 25th, 2022 (Limited) (Philippines) |
| Video Release: | January 24th, 2023 by Cleopatra Entertainment |
| Comparisons: | Create your own comparison chart… |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Cyprus |
| Languages: | English |
| Francesco Cinquemani | Director |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Philippines | 11/25/2022 | $0 | 0 | 0 | 0 | $0 | |
| International Total | $0 | ||||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
