Free to Run (2016)

Free to Run
Theatrical Performance
Domestic Box Office n/a
International Box Office $447,142Details
Worldwide Box Office $447,142
Home Market Performance
Est. Domestic DVD Sales $5,388 Details
Total Est. Domestic Video Sales $5,388
OpusData ID: 264520100
Further financial details...

Synopsis

Today, all anybody needs to run is the determination and a pair of the right shoes. But just fifty years ago, running was viewed almost exclusively as the domain of elite male athletes who competed on tracks. Director Pierre Morath traces running’s rise to the 1960s, examining how the liberation movements and newfound sense of personal freedom that defined the era took the sport out of the stadiums and onto the streets, and how legends like Steve Prefontaine, Fred Lebow, and Kathrine Switzer redefined running as a populist phenomenon.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 14,401-14,500) 14,500 $447,142
All Time Worldwide Box Office (Rank 19,801-19,900) 19,817 $447,142

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: July 15th, 2016 (Limited) by Jour de Fete
International Releases: September 23rd, 2016 (Wide) (Russia (CIS))
Video Release: November 1st, 2016 by IFC Video
MPAA Rating: Not Rated
Running Time: 100 minutes
Comparisons: Create your own comparison chart…
Keywords: Track and Field, 1960s, Early / Simultaneous Video-on-Demand release
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Point Productions , Yuzu Productions, Eklektik, Arte France Cinema, RTBF, Belgacom, RTS , Office Federal De La Culture, Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles, VOO ET BETV, Cineforom, Loterie Romande Fond Culturel, Suissimage, Succes Passage Antenne, Succes Cinema, Jour2Fete
Production Countries: Switzerland, France, Belgium
Languages: French, English

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Russia (CIS) 9/23/2016 $1,986 8 8 13 $2,943 11/14/2018
 
Rest of World $444,199
 
International Total$447,142 11/14/2018

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 14,401-14,500) 14,500 $447,142
All Time International Non-Sequel Box Office (Rank 13,201-13,300) 13,235 $447,142
All Time International Box Office for Based on Real Life Events Movies (Rank 1,201-1,300) 1,287 $447,142
All Time International Box Office for Live Action Movies (Rank 12,201-12,300) 12,211 $447,142
All Time International Box Office for Factual Movies (Rank 501-600) 597 $447,142
All Time International Box Office for Documentary Movies (Rank 401-500) 465 $447,142
All Time International Box Office for Not Rated Movies (Rank 1,301-1,400) 1,357 $447,142

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 19,801-19,900) 19,817 $447,142
All Time Worldwide Non-Sequel Box Office (Rank 18,201-18,300) 18,270 $447,142
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 1,801-1,900) 1,805 $447,142
All Time Worldwide Box Office for Live Action Movies (Rank 17,001-17,100) 17,071 $447,142
All Time Worldwide Box Office for Factual Movies (Rank 901-1,000) 922 $447,142
All Time Worldwide Box Office for Documentary Movies (Rank 701-800) 759 $447,142
All Time Worldwide Box Office for Not Rated Movies (Rank 2,101-2,200) 2,106 $447,142

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.

Interviewee(s)

Kathrine Switzer    Herself
Fred Lebow    Himself
Steve Prefontaine    Himself
Frank Shorter    Himself
Pierre Morath    Himself
Georges Hirsh    Himself
Noel Tamini    Himself
Joe Henderson    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Pierre Morath    Director
Fabrice Esteve    Producer
Jean-Marc Frohle    Producer
Christian Popp    Producer
Marie Besson    Producer
Fabrice Esteve    Executive Producer
Jean-Marc Frohle    Executive Producer
Marie Besson    Executive Producer
Thomas Queille    Editor
Thomas Queille    Director of Photography

Home Market Releases for November 1st, 2016

November 2nd, 2016

Star Trek Beyond

The Home Market Release Report is a day late this week for a trio of reasons. Firstly, the November Preview was also due the same day. Secondly, it was a very busy week. And finally, I’m suffering from a medical condition a lot of Canadians suffer from this time of year... acute Coffee Crisp poisoning. I’m not saying I ate four dozen fun-sized Coffee Crisps in the past three days... I’m not saying that, because it was actually an even 50. Don’t judge me. ... Okay, judge me. Clearly mistakes were made. It is a busy week, but not very deep week. Star Trek Beyond is by far the biggest and best release of the week and the various home market releases are the pick of the week. There wasn’t a lot of competition for that title, but Bad Moms is also worth picking up. More...

Limited and VOD Releases: See a Limited Releases During Your Coffee Break

July 15th, 2016

Café Society

It’s not a grand week for limited releases. Café Society is the only big release of the week and while its reviews and its pedigree suggest it should be a hit, it might be the only hit of the week. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Today, all anybody needs to run is the determination and a pair of the right shoes. But just fifty years ago, running was viewed almost exclusively as the domain of elite male athletes who competed on tracks. Director Pierre Morath traces running’s rise to the 1960s, examining how the liberation movements and newfound sense of personal freedom that defined the era took the sport out of the stadiums and onto the streets, and how legends like Steve Prefontaine, Fred Lebow, and Kathrine Switzer redefined running as a populist phenomenon.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 14,401-14,500) 14,500 $447,142
All Time Worldwide Box Office (Rank 19,801-19,900) 19,817 $447,142

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: July 15th, 2016 (Limited) by Jour de Fete
International Releases: September 23rd, 2016 (Wide) (Russia (CIS))
Video Release: November 1st, 2016 by IFC Video
MPAA Rating: Not Rated
Running Time: 100 minutes
Comparisons: Create your own comparison chart…
Keywords: Track and Field, 1960s, Early / Simultaneous Video-on-Demand release
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Point Productions , Yuzu Productions, Eklektik, Arte France Cinema, RTBF, Belgacom, RTS , Office Federal De La Culture, Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles, VOO ET BETV, Cineforom, Loterie Romande Fond Culturel, Suissimage, Succes Passage Antenne, Succes Cinema, Jour2Fete
Production Countries: Switzerland, France, Belgium
Languages: French, English

Interviewee(s)

Kathrine Switzer    Herself
Fred Lebow    Himself
Steve Prefontaine    Himself
Frank Shorter    Himself
Pierre Morath    Himself
Georges Hirsh    Himself
Noel Tamini    Himself
Joe Henderson    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Pierre Morath    Director
Fabrice Esteve    Producer
Jean-Marc Frohle    Producer
Christian Popp    Producer
Marie Besson    Producer
Fabrice Esteve    Executive Producer
Jean-Marc Frohle    Executive Producer
Marie Besson    Executive Producer
Thomas Queille    Editor
Thomas Queille    Director of Photography

Home Market Releases for November 1st, 2016

November 2nd, 2016

Star Trek Beyond

The Home Market Release Report is a day late this week for a trio of reasons. Firstly, the November Preview was also due the same day. Secondly, it was a very busy week. And finally, I’m suffering from a medical condition a lot of Canadians suffer from this time of year... acute Coffee Crisp poisoning. I’m not saying I ate four dozen fun-sized Coffee Crisps in the past three days... I’m not saying that, because it was actually an even 50. Don’t judge me. ... Okay, judge me. Clearly mistakes were made. It is a busy week, but not very deep week. Star Trek Beyond is by far the biggest and best release of the week and the various home market releases are the pick of the week. There wasn’t a lot of competition for that title, but Bad Moms is also worth picking up. More...

Limited and VOD Releases: See a Limited Releases During Your Coffee Break

July 15th, 2016

Café Society

It’s not a grand week for limited releases. Café Society is the only big release of the week and while its reviews and its pedigree suggest it should be a hit, it might be the only hit of the week. More...

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Russia (CIS) 9/23/2016 $1,986 8 8 13 $2,943 11/14/2018
 
Rest of World $444,199
 
International Total$447,142 11/14/2018

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 14,401-14,500) 14,500 $447,142
All Time International Non-Sequel Box Office (Rank 13,201-13,300) 13,235 $447,142
All Time International Box Office for Based on Real Life Events Movies (Rank 1,201-1,300) 1,287 $447,142
All Time International Box Office for Live Action Movies (Rank 12,201-12,300) 12,211 $447,142
All Time International Box Office for Factual Movies (Rank 501-600) 597 $447,142
All Time International Box Office for Documentary Movies (Rank 401-500) 465 $447,142
All Time International Box Office for Not Rated Movies (Rank 1,301-1,400) 1,357 $447,142

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 19,801-19,900) 19,817 $447,142
All Time Worldwide Non-Sequel Box Office (Rank 18,201-18,300) 18,270 $447,142
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 1,801-1,900) 1,805 $447,142
All Time Worldwide Box Office for Live Action Movies (Rank 17,001-17,100) 17,071 $447,142
All Time Worldwide Box Office for Factual Movies (Rank 901-1,000) 922 $447,142
All Time Worldwide Box Office for Documentary Movies (Rank 701-800) 759 $447,142
All Time Worldwide Box Office for Not Rated Movies (Rank 2,101-2,200) 2,106 $447,142

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.