New Zealand Box Office for Dilili à Paris (2018)
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Synopsis
Travel to the upper reaches and lower depths of Paris in the Belle Epoque with Dilili, a graceful young girl with eagle-eyed smarts as she investigates the mysterious plot of the Master Men. Together with Orel, a delivery boy who ferries her around the sweeping photorealistic and jewel-toned landscape as only expert animator Michel Ocelot could conceive, Dilili will stop at nothing until justice is restored. Our super sleuths journey through a turn-of-the-century world so evocative, you just might spot Picasso, Proust, or Marie Curie.
Metrics
Movie Details
October 4th, 2019
There are not a lot of prime limited releases on this week’s list and a couple that had the loudest pre-release buzz ended up with weak reviews. Pain & Glory is the film with the best shot at box office success, while Rascal Does Not Dream of Bunny Girl is the film I want to see the most.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Box Office Summary Per Territory
Territory |
Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
China |
12/20/2019 |
$65,468 |
0 |
0 |
0 |
$86,839 |
1/3/2020 |
France |
10/12/2018 |
$939,119 |
0 |
763 |
3157 |
$4,475,626 |
12/23/2018 |
Germany |
4/26/2019 |
$0 |
0 |
31 |
31 |
$219,043 |
5/24/2019 |
Italy |
4/24/2019 |
$80,973 |
0 |
31 |
81 |
$250,613 |
9/30/2019 |
Lithuania |
3/6/2020 |
$1,405 |
10 |
10 |
20 |
$1,373 |
3/18/2020 |
New Zealand |
7/21/2019 |
$217 |
1 |
12 |
26 |
$1,262 |
3/23/2020 |
North America |
10/4/2019 |
$0 |
0 |
0 |
0 |
$0 |
|
Slovakia |
11/23/2018 |
$1,336 |
10 |
10 |
16 |
$2,115 |
12/4/2018 |
South Korea |
5/31/2019 |
$3,268 |
3 |
36 |
102 |
$101,972 |
7/17/2019 |
|
Worldwide Total | $5,138,843 |
3/23/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits