Collide (2016)

Collide
Theatrical Performance
Domestic Box Office $2,280,004Details
International Box Office $3,186,694Details
Worldwide Box Office $5,466,698
Further financial details...

Synopsis

After a heist goes terribly wrong, Casey Stein finds himself on the run from a ruthless gang headed by mob boss Hagen. Now Casey has precious cargo that belongs to Hagen, who will stop at nothing to retrieve it. Left with no choice, Casey calls his former employer and drug smuggler Geran to protect his long-time girlfriend Juliette before Hagen gets his hands on her. Casey sets out on an adrenaline-fueled car chase on the German highways to save the love of his life before it’s too late.

Metrics

Opening Weekend:$1,512,824 (66.4% of total gross)
Legs:1.51 (domestic box office/biggest weekend)
Domestic Share:41.7% (domestic box office/worldwide)
Production Budget:$29,200,000 (worldwide box office is 0.2 times production budget)
Theater counts:2,045 opening theaters/2,045 max. theaters, 1.5 weeks average run per theater
Infl. Adj. Dom. BO $2,740,071

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,801-7,900) 7,858 $2,280,004
All Time International Box Office (Rank 7,701-7,800) 7,722 $3,186,694
All Time Worldwide Box Office (Rank 9,801-9,900) 9,810 $5,466,698

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: February 24th, 2017 (Wide) by Open Road
International Releases: August 26th, 2016 (Wide), released as Аутобан (Bulgaria)
September 30th, 2016 (Wide), released as Collide - A Alta Velocidade (Portugal)
December 2nd, 2016 (Wide), released as Autobahn (Collide) (China)
February 17th, 2017 (Wide), released as Autobahn - Fuori controllo (Italy)
March 3rd, 2017 (Wide), released as Nešdintis visu greičiu (Lithuania)
... Show all releases
Video Release: May 16th, 2017 by Universal Home Entertainment
MPAA Rating: PG-13 for violence, frenetic action, some sexuality, language, and drug material.
(Rating bulletin 2403 (Cert #49918), 12/9/2015)
Running Time: 99 minutes
Comparisons: vs. Anna
Create your own comparison chart…
Keywords: Heist, Fugitive / On the Run, Organized Crime, Narcotics, Smuggler, Medical and Hospitals, Development Hell, Delayed Release, Crime Thriller
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Sycamore Pictures, Automatik, DMG Entertainment, Silver Pictures, Autobahn Film Gmbh
Production Countries: United Kingdom
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 24, 2017 13 $1,512,824   2,045 $740   $1,512,824 1
Mar 3, 2017 28 $173,620 -89% 1,002 $173   $2,196,654 2

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 24, 2017 13 $539,072     2,045 $264   $539,072 1
Feb 25, 2017 13 $626,324 +16%   2,045 $306   $1,165,396 2
Feb 26, 2017 14 $347,428 -45%   2,045 $170   $1,512,824 3
Feb 27, 2017 15 $121,600 -65%   2,045 $59   $1,634,424 4
Feb 28, 2017 14 $187,264 +54%   2,045 $92   $1,821,688 5
Mar 1, 2017 15 $119,849 -36%   2,045 $59   $1,941,537 6
Mar 2, 2017 15 $81,497 -32%   2,045 $40   $2,023,034 7
Mar 3, 2017 - $51,973 -36% -90% 1,002 $52   $2,075,007 8
Mar 4, 2017 - $86,275 +66% -86% 1,002 $86   $2,161,282 9
Mar 5, 2017 - $35,372 -59% -90% 1,002 $35   $2,196,654 10
Mar 6, 2017 - $20,869 -41% -83% 1,002 $21   $2,217,523 11
Mar 7, 2017 - $23,373 +12% -88% 1,002 $23   $2,240,896 12
Mar 8, 2017 - $20,802 -11% -83% 1,002 $21   $2,261,698 13
Mar 9, 2017 - $18,306 -12% -78% 1,002 $18   $2,280,004 14

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 24, 2017 13 $2,023,034   2,045 $989   $2,023,034 1
Mar 3, 2017 28 $256,970 -87% 1,002 $256   $2,280,004 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Bulgaria 8/26/2016 $9,799 0 0 0 $49,307 2/26/2019
China 12/2/2016 $1,770,000 10,415 10,415 10,415 $2,221,106 8/27/2018
Italy 2/17/2017 $240,198 0 0 0 $337,018 2/28/2017
Lithuania 3/3/2017 $10,399 59 59 68 $17,279 3/21/2017
Mexico 5/5/2017 $113,134 0 0 0 $113,134 5/9/2017
Portugal 9/30/2016 $19,851 12 27 77 $99,269 4/14/2017
Russia (CIS) 3/3/2017 $22,214 0 0 0 $95,944 1/1/2019
Slovenia 3/17/2017 $1,231 5 5 5 $1,687 3/23/2017
South Korea 3/22/2017 $80,078 153 153 213 $171,989 6/30/2017
Spain 7/20/2018 $34,583 54 54 54 $34,583 8/14/2018
Turkey 3/24/2017 $20,903 59 59 81 $45,378 2/26/2019
 
International Total$3,186,694 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Nicholas Hoult    Casey
Felicity Jones    Juliette

Supporting Cast

Ben Kingsley    Geran
Anthony Hopkins    Hagen Kahl
Marwan Kenzari    Matthias
Nadia Hilker    Rowena
Clemens Schick    Mirko
Christian Rubeck    Kye
Aleksandar Jovanovic    Jonas
Johnny Palmiero    Fitch
Michael Epp    Karl
Markus Klauk    Talaz
Cherin West    Prostitute
Sandra Steinbach    Waitress
Joachim Krol    Wolfgang
Svenja Kleinfeld    Stockbroker’s Wife
Johny Mathew    Dancer
Ben Hecker    Gas Station Clerk
Josh Gotto    Truck Driver

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Eran Creevy    Director
Eran Creevy    Screenwriter
F. Scott Frazier    Screenwriter
F. Scott Frazier    Story by
Joel Silver    Producer
Ben Pugh    Producer
Rory Aitken    Producer
Brian Kavanaugh-Jones    Producer
Daniel Hetzer    Producer
Stuart Ford    Executive Producer
Matt Jackson    Executive Producer
Steve Squillante    Executive Producer
Rick Jackson    Executive Producer
Ben Nearn    Executive Producer
Tom Rice    Executive Producer
Dan Mintz    Executive Producer
Wu Bing    Executive Producer
Peter Xiao    Executive Producer
Chris Fenton    Executive Producer
Chris Cowles    Executive Producer
Hermann Joha    Executive Producer
Kay Niessen    Executive Producer
Steve Richards    Executive Producer
Ali Cook    Executive Producer
Aaron Auch    Co-Producer
Ethan Erwin    Co-Producer
F. Scott Frazier    Co-Executive Producer
Ed Wild    Director of Photography
Chris Gill    Editor
Marese Langan    Make-up and Hair Designer
Sharon Gilham    Costume Designer
David Schulhof    Music Supervisor
Ian Neil    Music Supervisor
Iain Cooke    Music Supervisor
Sasha Robertson    Casting Director

Home Market Releases for May 30th, 2017

May 29th, 2017

Ghost

Last week was amazing for this time of year with three top-tier releases. This week, the best first-run release is Before I Fall, which deserves to be seen by more, but there are no extras, so it is not a Pick of the Week contender. The actual contenders are limited to The Blackcoat’s Daughter and Ghost World: The Criterion Collection. It isn’t close as to which one comes out on top. More...

Home Market Releases for May 16th, 2017

May 16th, 2017

Logan

It is another terrible week on the home market. There are three first-run releases coming out this week, which isn’t a bad number. However, all three earned terrible reviews and bombed in theaters, so you should avoid all of them. There’s not a lot of limited releases, classics, or TV on DVD releases to make up the gap, so for the second week in a row, we have a Video on Demand release topping the list of best new releases. This week it is Logan, which is one of the best wide releases of the year. I would wait for the Blu-ray, on the other hand. More...

Weekend Wrap-Up: Get Out has Out of Control Opening with $33.38 million

February 28th, 2017

Get Out

Get Out beat expectations on the weekend box office chart earning first place with $33.38 million. Not only did it beat expectations, but it also had better than expected legs over the weekend and that bodes well for its long term success. Neither of the other two wide releases, Collide and Rock Dog, earned a spot in the top ten. Both will disappear from theaters A.S.A.P. Overall, the box office fell 17% from last weekend to $123 million. It is, however, 9.9% higher than the same weekend last year. Meanwhile, 2017 remains $100 million behind last year’s pace at $1.69 billion to $1.79 billion. 2017 made gains over the weekend, but The Lego Batman Movie was the number one movie during the midweek and having a kids movie on top hurts the weekday box office numbers. More...

Weekend Estimates: Get Out Pulls Off Huge Win

February 26th, 2017

Get Out

If you took a bet a year ago that the Oscar weekend box office would be dominated by a movie with an A- CinemaScore, and a score of 100% on Rotten Tomatoes, you probably wouldn’t get great odds. If you’d included the stipulation that the film would be a horror movie written and directed by Jordan Peele, your winnings would set you up for retirement. For that is what we have this morning: Get Out will easily top the chart this weekend, with Universal estimating a weekend around $30.5 million. More...

Friday Estimates: Get Out Gets off to a Fast Start with $10.8 million

February 25th, 2017

Get Out

As expected, Get Out earned first place on the Friday box office chart with $10.8 million. This a little higher than originally predicted, but not quite up to the heights that seemed possible after Thursday’s $1.8 million in previews. The film’s Tomatometer Score remains 100% positive, although I did see that Armond White gave the film a negative review. I didn’t realize he still wrote reviews. His reputation is so bad that a negative review from him is something to cherish. Furthermore, it earned an A minus from CinemaScore, which is stunning for a horror film. Even a B plus is great for a horror film. Look for $28 million over the weekend and an easy first place finish. More...

Thursday Night Previews: Get Out Starts Out on Top with $1.8 million

February 24th, 2017

Get Out

Get Out opened with $1.8 million during its midnight previews. This isn’t the best previews we’ve seen this year, but it is near the top. For example, it is just 10% lower than Split managed in January and only three other films topped $2 million during previews. The film’s 100% positive reviews should certainly help the film’s legs over the weekend and that’s great news for the studio. In fact, there are some who think it will earn more than $35 million over the weekend. That’s a little too bullish for my tastes, but I can’t entirely dismiss those predictions. Opening with just over $30 million, on the other hand, now feels more likely. Since the film only cost $5 million to make, it could earn more over the opening weekend than it cost to make and advertise. More...

Weekend Predictions: Will Moviegoers Get Out to the Theater This Weekend?

February 23rd, 2017

Get Out

There are three films opening wide this weekend, which is a surprise. The buzz for Collide and Rock Dog are so quiet that I’m surprised they are playing in more than 2,000 theaters and I will be equally surprised if they open above the Mendoza Line by averaging more than $2,000 per theater. On the other hand, Get Out has nearly 100 reviews and its Tomatometer Score is 100% positive. It could be a surprise smash hit. Then again... It could be another Keanu. If that happens, The Lego Batman Movie will earn its third first-place finish in a row. That’s would be bad news for the overall box office. This weekend last year there were a similar selection of new releases. Gods of Egypt struggled while the other two new releases bombed, and only Deadpool saved the box office. If Get Out matches Deadpool’s total weekend of $31 million this time last year, I will be so happy. I don’t think it will happen, but it could be close. More...

Contest: Straight Outta Suburbia

February 17th, 2017

Get Out

Surprisingly, there are three wide releases next week. I wasn’t expecting both Collide and Rock Dog to debut in more than 2,000 theaters, but that appears to be the case. That said, Get Out is widely expected to be the biggest of these three releases and as such, it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Get Out.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: February

February 1st, 2017

The Lego Batman Movie

January turned out to be a good month. Granted, it didn’t live up to last January, but its box office was one of the top five Januarys of all time, so that’s still a good start to the year. Also, we will have our first $100 million movie released in 2017 and that doesn’t happen this early very often. As for February, there’s potentially the first $200 million hit of the year, The Lego Batman Movie. Fifty Shades Darker and The Great Wall both have a shot at $100 million. That said, it is more likely that both will miss that milestone than both will get there. As for the rest of the films, there are a few that are aiming for solid midlevel hits, like John Wick: Chapter Two and Get Out, while there are very few potential bombs. By comparison, last February there was one monster hit, Deadpool, and a lot of bombs. No other movie besides Deadpool made $50 million. No movie opening this month will match Deadpool, but we won’t have as many bombs either, so hopefully that will balance out and 2017 won’t fall further behind 2016. More...

Collide Trailer

January 19th, 2017

Thriller starring Nicholas Hoult, Felicity Jones, Ben Kingsley and Anthony Hopkins opens February 24 ... Full Movie Details. More...

Contest: Look Alive

March 25th, 2016

God's Not Dead 2

At one time, there were three films scheduled to open wide next week. However, Collide has been pushed back to the fall and Amityville: The Awakening's release has been pushed back to January of next year. This leaves only one real choice for the target film in this week's Box Office Prediction contest. ... oh no! God's Not Dead 2, a faith-based film. Faith-based films are notoriously difficult to predict, so entrants will have a difficult time getting this right. On the other hand, it means you could use a random number generator and have just as good of a shot of winning as someone who spends the next seven days researching the film. In order to win, one must simply predict the opening weekend box office number for God's Not Dead 2.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Casual: Season One on DVD. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Casual: Season One on DVD. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a copy of Casual: Season One on DVD. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

After a heist goes terribly wrong, Casey Stein finds himself on the run from a ruthless gang headed by mob boss Hagen. Now Casey has precious cargo that belongs to Hagen, who will stop at nothing to retrieve it. Left with no choice, Casey calls his former employer and drug smuggler Geran to protect his long-time girlfriend Juliette before Hagen gets his hands on her. Casey sets out on an adrenaline-fueled car chase on the German highways to save the love of his life before it’s too late.

Metrics

Opening Weekend:$1,512,824 (66.4% of total gross)
Legs:1.51 (domestic box office/biggest weekend)
Domestic Share:41.7% (domestic box office/worldwide)
Production Budget:$29,200,000 (worldwide box office is 0.2 times production budget)
Theater counts:2,045 opening theaters/2,045 max. theaters, 1.5 weeks average run per theater
Infl. Adj. Dom. BO $2,740,071

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,801-7,900) 7,858 $2,280,004
All Time International Box Office (Rank 7,701-7,800) 7,722 $3,186,694
All Time Worldwide Box Office (Rank 9,801-9,900) 9,810 $5,466,698

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: February 24th, 2017 (Wide) by Open Road
International Releases: August 26th, 2016 (Wide), released as Аутобан (Bulgaria)
September 30th, 2016 (Wide), released as Collide - A Alta Velocidade (Portugal)
December 2nd, 2016 (Wide), released as Autobahn (Collide) (China)
February 17th, 2017 (Wide), released as Autobahn - Fuori controllo (Italy)
March 3rd, 2017 (Wide), released as Nešdintis visu greičiu (Lithuania)
... Show all releases
Video Release: May 16th, 2017 by Universal Home Entertainment
MPAA Rating: PG-13 for violence, frenetic action, some sexuality, language, and drug material.
(Rating bulletin 2403 (Cert #49918), 12/9/2015)
Running Time: 99 minutes
Comparisons: vs. Anna
Create your own comparison chart…
Keywords: Heist, Fugitive / On the Run, Organized Crime, Narcotics, Smuggler, Medical and Hospitals, Development Hell, Delayed Release, Crime Thriller
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Sycamore Pictures, Automatik, DMG Entertainment, Silver Pictures, Autobahn Film Gmbh
Production Countries: United Kingdom
Languages: English

Leading Cast

Nicholas Hoult    Casey
Felicity Jones    Juliette

Supporting Cast

Ben Kingsley    Geran
Anthony Hopkins    Hagen Kahl
Marwan Kenzari    Matthias
Nadia Hilker    Rowena
Clemens Schick    Mirko
Christian Rubeck    Kye
Aleksandar Jovanovic    Jonas
Johnny Palmiero    Fitch
Michael Epp    Karl
Markus Klauk    Talaz
Cherin West    Prostitute
Sandra Steinbach    Waitress
Joachim Krol    Wolfgang
Svenja Kleinfeld    Stockbroker’s Wife
Johny Mathew    Dancer
Ben Hecker    Gas Station Clerk
Josh Gotto    Truck Driver

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Eran Creevy    Director
Eran Creevy    Screenwriter
F. Scott Frazier    Screenwriter
F. Scott Frazier    Story by
Joel Silver    Producer
Ben Pugh    Producer
Rory Aitken    Producer
Brian Kavanaugh-Jones    Producer
Daniel Hetzer    Producer
Stuart Ford    Executive Producer
Matt Jackson    Executive Producer
Steve Squillante    Executive Producer
Rick Jackson    Executive Producer
Ben Nearn    Executive Producer
Tom Rice    Executive Producer
Dan Mintz    Executive Producer
Wu Bing    Executive Producer
Peter Xiao    Executive Producer
Chris Fenton    Executive Producer
Chris Cowles    Executive Producer
Hermann Joha    Executive Producer
Kay Niessen    Executive Producer
Steve Richards    Executive Producer
Ali Cook    Executive Producer
Aaron Auch    Co-Producer
Ethan Erwin    Co-Producer
F. Scott Frazier    Co-Executive Producer
Ed Wild    Director of Photography
Chris Gill    Editor
Marese Langan    Make-up and Hair Designer
Sharon Gilham    Costume Designer
David Schulhof    Music Supervisor
Ian Neil    Music Supervisor
Iain Cooke    Music Supervisor
Sasha Robertson    Casting Director

Home Market Releases for May 30th, 2017

May 29th, 2017

Ghost

Last week was amazing for this time of year with three top-tier releases. This week, the best first-run release is Before I Fall, which deserves to be seen by more, but there are no extras, so it is not a Pick of the Week contender. The actual contenders are limited to The Blackcoat’s Daughter and Ghost World: The Criterion Collection. It isn’t close as to which one comes out on top. More...

Home Market Releases for May 16th, 2017

May 16th, 2017

Logan

It is another terrible week on the home market. There are three first-run releases coming out this week, which isn’t a bad number. However, all three earned terrible reviews and bombed in theaters, so you should avoid all of them. There’s not a lot of limited releases, classics, or TV on DVD releases to make up the gap, so for the second week in a row, we have a Video on Demand release topping the list of best new releases. This week it is Logan, which is one of the best wide releases of the year. I would wait for the Blu-ray, on the other hand. More...

Weekend Wrap-Up: Get Out has Out of Control Opening with $33.38 million

February 28th, 2017

Get Out

Get Out beat expectations on the weekend box office chart earning first place with $33.38 million. Not only did it beat expectations, but it also had better than expected legs over the weekend and that bodes well for its long term success. Neither of the other two wide releases, Collide and Rock Dog, earned a spot in the top ten. Both will disappear from theaters A.S.A.P. Overall, the box office fell 17% from last weekend to $123 million. It is, however, 9.9% higher than the same weekend last year. Meanwhile, 2017 remains $100 million behind last year’s pace at $1.69 billion to $1.79 billion. 2017 made gains over the weekend, but The Lego Batman Movie was the number one movie during the midweek and having a kids movie on top hurts the weekday box office numbers. More...

Weekend Estimates: Get Out Pulls Off Huge Win

February 26th, 2017

Get Out

If you took a bet a year ago that the Oscar weekend box office would be dominated by a movie with an A- CinemaScore, and a score of 100% on Rotten Tomatoes, you probably wouldn’t get great odds. If you’d included the stipulation that the film would be a horror movie written and directed by Jordan Peele, your winnings would set you up for retirement. For that is what we have this morning: Get Out will easily top the chart this weekend, with Universal estimating a weekend around $30.5 million. More...

Friday Estimates: Get Out Gets off to a Fast Start with $10.8 million

February 25th, 2017

Get Out

As expected, Get Out earned first place on the Friday box office chart with $10.8 million. This a little higher than originally predicted, but not quite up to the heights that seemed possible after Thursday’s $1.8 million in previews. The film’s Tomatometer Score remains 100% positive, although I did see that Armond White gave the film a negative review. I didn’t realize he still wrote reviews. His reputation is so bad that a negative review from him is something to cherish. Furthermore, it earned an A minus from CinemaScore, which is stunning for a horror film. Even a B plus is great for a horror film. Look for $28 million over the weekend and an easy first place finish. More...

Thursday Night Previews: Get Out Starts Out on Top with $1.8 million

February 24th, 2017

Get Out

Get Out opened with $1.8 million during its midnight previews. This isn’t the best previews we’ve seen this year, but it is near the top. For example, it is just 10% lower than Split managed in January and only three other films topped $2 million during previews. The film’s 100% positive reviews should certainly help the film’s legs over the weekend and that’s great news for the studio. In fact, there are some who think it will earn more than $35 million over the weekend. That’s a little too bullish for my tastes, but I can’t entirely dismiss those predictions. Opening with just over $30 million, on the other hand, now feels more likely. Since the film only cost $5 million to make, it could earn more over the opening weekend than it cost to make and advertise. More...

Weekend Predictions: Will Moviegoers Get Out to the Theater This Weekend?

February 23rd, 2017

Get Out

There are three films opening wide this weekend, which is a surprise. The buzz for Collide and Rock Dog are so quiet that I’m surprised they are playing in more than 2,000 theaters and I will be equally surprised if they open above the Mendoza Line by averaging more than $2,000 per theater. On the other hand, Get Out has nearly 100 reviews and its Tomatometer Score is 100% positive. It could be a surprise smash hit. Then again... It could be another Keanu. If that happens, The Lego Batman Movie will earn its third first-place finish in a row. That’s would be bad news for the overall box office. This weekend last year there were a similar selection of new releases. Gods of Egypt struggled while the other two new releases bombed, and only Deadpool saved the box office. If Get Out matches Deadpool’s total weekend of $31 million this time last year, I will be so happy. I don’t think it will happen, but it could be close. More...

Contest: Straight Outta Suburbia

February 17th, 2017

Get Out

Surprisingly, there are three wide releases next week. I wasn’t expecting both Collide and Rock Dog to debut in more than 2,000 theaters, but that appears to be the case. That said, Get Out is widely expected to be the biggest of these three releases and as such, it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Get Out.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: February

February 1st, 2017

The Lego Batman Movie

January turned out to be a good month. Granted, it didn’t live up to last January, but its box office was one of the top five Januarys of all time, so that’s still a good start to the year. Also, we will have our first $100 million movie released in 2017 and that doesn’t happen this early very often. As for February, there’s potentially the first $200 million hit of the year, The Lego Batman Movie. Fifty Shades Darker and The Great Wall both have a shot at $100 million. That said, it is more likely that both will miss that milestone than both will get there. As for the rest of the films, there are a few that are aiming for solid midlevel hits, like John Wick: Chapter Two and Get Out, while there are very few potential bombs. By comparison, last February there was one monster hit, Deadpool, and a lot of bombs. No other movie besides Deadpool made $50 million. No movie opening this month will match Deadpool, but we won’t have as many bombs either, so hopefully that will balance out and 2017 won’t fall further behind 2016. More...

Collide Trailer

January 19th, 2017

Thriller starring Nicholas Hoult, Felicity Jones, Ben Kingsley and Anthony Hopkins opens February 24 ... Full Movie Details. More...

Contest: Look Alive

March 25th, 2016

God's Not Dead 2

At one time, there were three films scheduled to open wide next week. However, Collide has been pushed back to the fall and Amityville: The Awakening's release has been pushed back to January of next year. This leaves only one real choice for the target film in this week's Box Office Prediction contest. ... oh no! God's Not Dead 2, a faith-based film. Faith-based films are notoriously difficult to predict, so entrants will have a difficult time getting this right. On the other hand, it means you could use a random number generator and have just as good of a shot of winning as someone who spends the next seven days researching the film. In order to win, one must simply predict the opening weekend box office number for God's Not Dead 2.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Casual: Season One on DVD. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Casual: Season One on DVD. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a copy of Casual: Season One on DVD. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 24, 2017 13 $1,512,824   2,045 $740   $1,512,824 1
Mar 3, 2017 28 $173,620 -89% 1,002 $173   $2,196,654 2

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 24, 2017 13 $539,072     2,045 $264   $539,072 1
Feb 25, 2017 13 $626,324 +16%   2,045 $306   $1,165,396 2
Feb 26, 2017 14 $347,428 -45%   2,045 $170   $1,512,824 3
Feb 27, 2017 15 $121,600 -65%   2,045 $59   $1,634,424 4
Feb 28, 2017 14 $187,264 +54%   2,045 $92   $1,821,688 5
Mar 1, 2017 15 $119,849 -36%   2,045 $59   $1,941,537 6
Mar 2, 2017 15 $81,497 -32%   2,045 $40   $2,023,034 7
Mar 3, 2017 - $51,973 -36% -90% 1,002 $52   $2,075,007 8
Mar 4, 2017 - $86,275 +66% -86% 1,002 $86   $2,161,282 9
Mar 5, 2017 - $35,372 -59% -90% 1,002 $35   $2,196,654 10
Mar 6, 2017 - $20,869 -41% -83% 1,002 $21   $2,217,523 11
Mar 7, 2017 - $23,373 +12% -88% 1,002 $23   $2,240,896 12
Mar 8, 2017 - $20,802 -11% -83% 1,002 $21   $2,261,698 13
Mar 9, 2017 - $18,306 -12% -78% 1,002 $18   $2,280,004 14

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 24, 2017 13 $2,023,034   2,045 $989   $2,023,034 1
Mar 3, 2017 28 $256,970 -87% 1,002 $256   $2,280,004 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Bulgaria 8/26/2016 $9,799 0 0 0 $49,307 2/26/2019
China 12/2/2016 $1,770,000 10,415 10,415 10,415 $2,221,106 8/27/2018
Italy 2/17/2017 $240,198 0 0 0 $337,018 2/28/2017
Lithuania 3/3/2017 $10,399 59 59 68 $17,279 3/21/2017
Mexico 5/5/2017 $113,134 0 0 0 $113,134 5/9/2017
Portugal 9/30/2016 $19,851 12 27 77 $99,269 4/14/2017
Russia (CIS) 3/3/2017 $22,214 0 0 0 $95,944 1/1/2019
Slovenia 3/17/2017 $1,231 5 5 5 $1,687 3/23/2017
South Korea 3/22/2017 $80,078 153 153 213 $171,989 6/30/2017
Spain 7/20/2018 $34,583 54 54 54 $34,583 8/14/2018
Turkey 3/24/2017 $20,903 59 59 81 $45,378 2/26/2019
 
International Total$3,186,694 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.