Backtrace (2018)

Backtrace
Theatrical Performance
Domestic Box Office n/a
International Box Office $53,397Details
Worldwide Box Office $53,397
Home Market Performance
Est. Domestic DVD Sales $625,918 Details
Est. Domestic Blu-ray Sales $446,454 Details
Total Est. Domestic Video Sales $1,072,372
OpusData ID: 370730100
Further financial details...

Synopsis

After suffering a brain injury from a bank heist gone wrong, MacDonald develops amnesia and is put into a prison psychiatric ward. Following his seventh year in evaluation, he is coerced by an inmate and a ward doctor to break out of prison and injected with a serum that forces him to relive the life he's forgotten. MacDonald must now elude a local detective, a toughened FBI agent and the drug’s dangerous side effects in order to recover the stolen money all while confronting his past.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 22,101-22,200) 22,127 $53,397
All Time Worldwide Box Office (Rank 29,301-29,400) 29,303 $53,397
All Time International Box Office for R Movies (Rank 3,601-3,700) 3,625 $53,397
All Time Worldwide Box Office for R Movies (Rank 5,901-6,000) 5,940 $53,397

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: December 14th, 2018 (Limited) by Lionsgate Premiere
International Releases: January 25th, 2019 (Wide) (Russia (CIS))
March 1st, 2019 (Wide), released as Backtrace - Rasto de Violência (Portugal)
Video Release: December 11th, 2018 by Lionsgate Home Entertainment
MPAA Rating: R for violence and some language.
(Rating bulletin 2547 (Cert #51706), 10/3/2018)
Running Time: 87 minutes
Comparisons: Create your own comparison chart…
Keywords: Early / Simultaneous Video-on-Demand release, Bank Robbery, Heist, Medical and Hospitals, Faulty Memory, Prison, Prison Break, Fugitive / On the Run
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lionsgate Premiere, Grindstone Entertainment Group, Emmett Furla Oasis Films, Diamond Film Productions, Dreamscape Media, The Fyzz Facility
Production Countries: Canada, United States
Languages: English

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Portugal 3/1/2019 $13,428 17 17 41 $34,248 3/19/2019
Russia (CIS) 1/25/2019 $11,468 173 173 229 $19,149 2/16/2019
 
International Total$53,397 3/19/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 22,101-22,200) 22,127 $53,397
All Time International Non-Sequel Box Office (Rank 20,601-20,700) 20,637 $53,397
All Time International Box Office for Original Screenplay Movies (Rank 13,201-13,300) 13,279 $53,397
All Time International Box Office for Live Action Movies (Rank 18,801-18,900) 18,895 $53,397
All Time International Box Office for Contemporary Fiction Movies (Rank 11,701-11,800) 11,774 $53,397
All Time International Box Office for Action Movies (Rank 1,901-2,000) 1,946 $53,397
All Time International Box Office for R Movies (Rank 3,601-3,700) 3,625 $53,397
All Time International Box Office for Lionsgate Premiere Movies 22 $53,397

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 29,301-29,400) 29,303 $53,397
All Time Worldwide Non-Sequel Box Office (Rank 27,501-27,600) 27,526 $53,397
All Time Worldwide Box Office for Original Screenplay Movies (Rank 16,801-16,900) 16,860 $53,397
All Time Worldwide Box Office for Live Action Movies (Rank 25,101-25,200) 25,145 $53,397
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 15,101-15,200) 15,144 $53,397
All Time Worldwide Box Office for Action Movies (Rank 2,301-2,400) 2,383 $53,397
All Time Worldwide Box Office for R Movies (Rank 5,901-6,000) 5,940 $53,397
All Time Worldwide Box Office for Lionsgate Premiere Movies 22 $53,397

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Feb 24, 20191717,468 17,468$226,385$226,38511

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Feb 24, 20191412,029 12,029$180,308$180,30811

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.

Leading Cast

Ryan Guzman    Lucas
Sylvester Stallone    Sykes
Matthew Modine    MacDonald
Christopher McDonald    Franks

Supporting Cast

Meadow Williams    Erin
Colin Egglesfield    Carter
Lydia Hull    Dr. Nichols
Tyler J. Olson    Farren
Sergio Rizzuto    Foster
Swen Temmel    Truby
Joe Gelchion    Captain Stover
Brooks Nader    Orderly Lisa
Nick Petron    Res. Mgr Walter
Jenna Willis    Detective Bay
David Yuzuk    Deputy
Baylee Curran    Security Guard Alicia
Alanna Tremblay    News Reporter
Rylee Emmett    Rachel
London Emmett    Rae
Tamara Belous    Melissa
Jesse Pruett    Bartender Jonathan
Wesley Heid    Andrew
Heather Johansen    Sara
Ben Sparango    Security Guard Robert
Carroll “Pinky” Duwart*    Security Guard Nick
Leslee Emmett    Barbara
Brittany Strickland    Karen

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Brian A. Miller    Director
Mike Maples    Screenwriter
Randall Emmett    Producer
George Furla    Producer
Mark Stewart    Producer
Ambyr Childers    Producer
Matt Luber    Producer
Alex Eckert    Executive Producer
Ted Fox    Executive Producer
Vance Owen    Executive Producer
Arianne Fraser    Executive Producer
Delphine Perrier    Executive Producer
Henry Winterstern    Executive Producer
Wayne Marc Godfrey    Executive Producer
Robert Jones    Executive Producer
Marc Goldberg    Executive Producer
Barry Brooker    Executive Producer
Stan Wertlieb    Executive Producer
Simon Williams    Executive Producer
Christelle Conan    Executive Producer
Bryan Brucks    Executive Producer
Sam Slater    Executive Producer
David Bernon    Executive Producer
Scott Carmel    Executive Producer
Sergio Rizzuto    Executive Producer
Martin Richard Blencowe    Executive Producer
Noel Ashman    Executive Producer
Meadow Williams    Executive Producer
Swen Temmel    Executive Producer
Peter A. Holland    Director of Photography
Russell M. Jaeger    Production Designer
Thomas Calderon    Editor
Rachel Stringfellow    Costume Designer
Tim Sullivan    Co-Producer
Anthony Callie    Co-Producer
Brinton Bryan    Co-Producer
Ryan Black    Co-Executive Producer
William B. Steakley    Line Producer
Mike Burns    Music Supervisor
Tim Jones    Composer
Stephen R. Campanella    Unit Production Manager
Jonathan Southard    First Assistant Director
Gene Smith    Second Assistant Director
Don Abbatiello    Stunt Coordinator
Alana Crow    Co-Producer
Michael J Urann    Co-Producer
Simon Lewis    Associate Producer
Babak Eftekhari    Associate Producer
Umida Umarbekova    Associate Producer
Fariba Mahjoor    Associate Producer
Lars Alhgreen    Associate Producer
Anders Tellve    Associate Producer
Marco Van Embden    Associate Producer
Stewart Peter    Associate Producer
James Kattan    Associate Producer
Federica Arevalo    Script Supervisor
Marlowe Taylor    Sound Mixer
Laura Bryant    Location Manager
Georgia Schwab    Set Decorator
Randi Owens Arroyo    Make up
J.C. Davis    Hairstylist
William Durden    First Assistant Editor
David Kitchens    Sound Supervisor
David Barber    Supervising Sound Editor
Jeff K. Brunello    Sound Effects Editor
Michael Kreple    Re-recording Mixer
David Barber    Re-recording Mixer
Heather Toll    Visual Effects Producer
Franco Valenziano    Visual Effects Producer
Carlo Tosi    Visual Effects Executive Producer
Massimiliano Pareschi    Visual Effects Supervisor
Aaron Gilhuis    Additional Music

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 19th, 2019

February 20th, 2019

Can You Ever Forgive Me?

The fall smash hits and the Oscar contenders are starting to come out in full force, making it a great time on the home market. This week, we have one of the biggest hits of the fall, A Star is Born; one of the best movies of the year, Can You Ever Forgive Me?; and the Anime that arguably solidified Moe as powerhouse genre, K-ON: Complete Collection Premium Box Set. Of the three, I like K-ON the most, but I admit that price will scare away a lot of people, so Can You Ever Forgive Me? is the better choice for Pick of the Week. More...

Limited and VOD Releases: Limited Releases are Not Very Talkative

December 14th, 2018

If Beale Street Could Talk

It’s a great time of year to release an Awards Season contender. Ironically, there is so much competition in that space that the number of Oscar-bait films already in release is too much competition, so there are not too many films coming out this week. That’s not to say there are no prime releases coming out. If Beale Street Could Talk is an Awards Season contender, but it is arguably the only film on this week’s list with a realistic chance of doing well at the box office. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

After suffering a brain injury from a bank heist gone wrong, MacDonald develops amnesia and is put into a prison psychiatric ward. Following his seventh year in evaluation, he is coerced by an inmate and a ward doctor to break out of prison and injected with a serum that forces him to relive the life he's forgotten. MacDonald must now elude a local detective, a toughened FBI agent and the drug’s dangerous side effects in order to recover the stolen money all while confronting his past.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 22,101-22,200) 22,127 $53,397
All Time Worldwide Box Office (Rank 29,301-29,400) 29,303 $53,397
All Time International Box Office for R Movies (Rank 3,601-3,700) 3,625 $53,397
All Time Worldwide Box Office for R Movies (Rank 5,901-6,000) 5,940 $53,397

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: December 14th, 2018 (Limited) by Lionsgate Premiere
International Releases: January 25th, 2019 (Wide) (Russia (CIS))
March 1st, 2019 (Wide), released as Backtrace - Rasto de Violência (Portugal)
Video Release: December 11th, 2018 by Lionsgate Home Entertainment
MPAA Rating: R for violence and some language.
(Rating bulletin 2547 (Cert #51706), 10/3/2018)
Running Time: 87 minutes
Comparisons: Create your own comparison chart…
Keywords: Early / Simultaneous Video-on-Demand release, Bank Robbery, Heist, Medical and Hospitals, Faulty Memory, Prison, Prison Break, Fugitive / On the Run
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lionsgate Premiere, Grindstone Entertainment Group, Emmett Furla Oasis Films, Diamond Film Productions, Dreamscape Media, The Fyzz Facility
Production Countries: Canada, United States
Languages: English

Leading Cast

Ryan Guzman    Lucas
Sylvester Stallone    Sykes
Matthew Modine    MacDonald
Christopher McDonald    Franks

Supporting Cast

Meadow Williams    Erin
Colin Egglesfield    Carter
Lydia Hull    Dr. Nichols
Tyler J. Olson    Farren
Sergio Rizzuto    Foster
Swen Temmel    Truby
Joe Gelchion    Captain Stover
Brooks Nader    Orderly Lisa
Nick Petron    Res. Mgr Walter
Jenna Willis    Detective Bay
David Yuzuk    Deputy
Baylee Curran    Security Guard Alicia
Alanna Tremblay    News Reporter
Rylee Emmett    Rachel
London Emmett    Rae
Tamara Belous    Melissa
Jesse Pruett    Bartender Jonathan
Wesley Heid    Andrew
Heather Johansen    Sara
Ben Sparango    Security Guard Robert
Carroll “Pinky” Duwart*    Security Guard Nick
Leslee Emmett    Barbara
Brittany Strickland    Karen

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Brian A. Miller    Director
Mike Maples    Screenwriter
Randall Emmett    Producer
George Furla    Producer
Mark Stewart    Producer
Ambyr Childers    Producer
Matt Luber    Producer
Alex Eckert    Executive Producer
Ted Fox    Executive Producer
Vance Owen    Executive Producer
Arianne Fraser    Executive Producer
Delphine Perrier    Executive Producer
Henry Winterstern    Executive Producer
Wayne Marc Godfrey    Executive Producer
Robert Jones    Executive Producer
Marc Goldberg    Executive Producer
Barry Brooker    Executive Producer
Stan Wertlieb    Executive Producer
Simon Williams    Executive Producer
Christelle Conan    Executive Producer
Bryan Brucks    Executive Producer
Sam Slater    Executive Producer
David Bernon    Executive Producer
Scott Carmel    Executive Producer
Sergio Rizzuto    Executive Producer
Martin Richard Blencowe    Executive Producer
Noel Ashman    Executive Producer
Meadow Williams    Executive Producer
Swen Temmel    Executive Producer
Peter A. Holland    Director of Photography
Russell M. Jaeger    Production Designer
Thomas Calderon    Editor
Rachel Stringfellow    Costume Designer
Tim Sullivan    Co-Producer
Anthony Callie    Co-Producer
Brinton Bryan    Co-Producer
Ryan Black    Co-Executive Producer
William B. Steakley    Line Producer
Mike Burns    Music Supervisor
Tim Jones    Composer
Stephen R. Campanella    Unit Production Manager
Jonathan Southard    First Assistant Director
Gene Smith    Second Assistant Director
Don Abbatiello    Stunt Coordinator
Alana Crow    Co-Producer
Michael J Urann    Co-Producer
Simon Lewis    Associate Producer
Babak Eftekhari    Associate Producer
Umida Umarbekova    Associate Producer
Fariba Mahjoor    Associate Producer
Lars Alhgreen    Associate Producer
Anders Tellve    Associate Producer
Marco Van Embden    Associate Producer
Stewart Peter    Associate Producer
James Kattan    Associate Producer
Federica Arevalo    Script Supervisor
Marlowe Taylor    Sound Mixer
Laura Bryant    Location Manager
Georgia Schwab    Set Decorator
Randi Owens Arroyo    Make up
J.C. Davis    Hairstylist
William Durden    First Assistant Editor
David Kitchens    Sound Supervisor
David Barber    Supervising Sound Editor
Jeff K. Brunello    Sound Effects Editor
Michael Kreple    Re-recording Mixer
David Barber    Re-recording Mixer
Heather Toll    Visual Effects Producer
Franco Valenziano    Visual Effects Producer
Carlo Tosi    Visual Effects Executive Producer
Massimiliano Pareschi    Visual Effects Supervisor
Aaron Gilhuis    Additional Music

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 19th, 2019

February 20th, 2019

Can You Ever Forgive Me?

The fall smash hits and the Oscar contenders are starting to come out in full force, making it a great time on the home market. This week, we have one of the biggest hits of the fall, A Star is Born; one of the best movies of the year, Can You Ever Forgive Me?; and the Anime that arguably solidified Moe as powerhouse genre, K-ON: Complete Collection Premium Box Set. Of the three, I like K-ON the most, but I admit that price will scare away a lot of people, so Can You Ever Forgive Me? is the better choice for Pick of the Week. More...

Limited and VOD Releases: Limited Releases are Not Very Talkative

December 14th, 2018

If Beale Street Could Talk

It’s a great time of year to release an Awards Season contender. Ironically, there is so much competition in that space that the number of Oscar-bait films already in release is too much competition, so there are not too many films coming out this week. That’s not to say there are no prime releases coming out. If Beale Street Could Talk is an Awards Season contender, but it is arguably the only film on this week’s list with a realistic chance of doing well at the box office. More...

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Portugal 3/1/2019 $13,428 17 17 41 $34,248 3/19/2019
Russia (CIS) 1/25/2019 $11,468 173 173 229 $19,149 2/16/2019
 
International Total$53,397 3/19/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 22,101-22,200) 22,127 $53,397
All Time International Non-Sequel Box Office (Rank 20,601-20,700) 20,637 $53,397
All Time International Box Office for Original Screenplay Movies (Rank 13,201-13,300) 13,279 $53,397
All Time International Box Office for Live Action Movies (Rank 18,801-18,900) 18,895 $53,397
All Time International Box Office for Contemporary Fiction Movies (Rank 11,701-11,800) 11,774 $53,397
All Time International Box Office for Action Movies (Rank 1,901-2,000) 1,946 $53,397
All Time International Box Office for R Movies (Rank 3,601-3,700) 3,625 $53,397
All Time International Box Office for Lionsgate Premiere Movies 22 $53,397

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 29,301-29,400) 29,303 $53,397
All Time Worldwide Non-Sequel Box Office (Rank 27,501-27,600) 27,526 $53,397
All Time Worldwide Box Office for Original Screenplay Movies (Rank 16,801-16,900) 16,860 $53,397
All Time Worldwide Box Office for Live Action Movies (Rank 25,101-25,200) 25,145 $53,397
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 15,101-15,200) 15,144 $53,397
All Time Worldwide Box Office for Action Movies (Rank 2,301-2,400) 2,383 $53,397
All Time Worldwide Box Office for R Movies (Rank 5,901-6,000) 5,940 $53,397
All Time Worldwide Box Office for Lionsgate Premiere Movies 22 $53,397

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Feb 24, 20191717,468 17,468$226,385$226,38511

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Feb 24, 20191412,029 12,029$180,308$180,30811

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.