This graph shows John Krasinski’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
Inside Out 2 has been dominating the domestic box office since its June 14 release. It’s set to surpass Frozen’s $401 million mark this Thursday, entering the top 10 highest grossing animated films of all time. Currently, it has earned $400.7 million domestically and $434.7 million internationally, totaling $835.4 million globally. With 4,440 theaters still showing the film, it’s poised to join the billion dollar club soon, despite facing fierce competition from this weekend’s new releases.
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Inside Out 2 was off and running at the domestic box office last weekend as the animated sequel over-performed most predictions (including ours), pulling in an outstanding $154.2 million in its opening three-day frame. Possibly even more impressive yet, the film has increased its daily box office since Monday, when it posted $22.42 million in earnings. The film took in $28.83 million on Tuesday and $30.1 million on Wednesday, the latter marking the third largest non-opening Wednesday at the box office of all time. Once again playing in 4,440 locations, the Pixar film should have no trouble staying atop the chart.
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IF made its theatrical debut last weekend and took in a respectable $33.72 million in its opening attempt, making it the top movie at the domestic box office. The John Krasinski-directed film was relegated to second place as the widest release, but will itself play spoiler to another newcomer as it becomes the widest-playing film in the land this week. Another trio of new films make their appearance this week, including another animated feature in the way of everyone’s favorite comic book cat, as The Garfield Movie makes its arrival into North American cinemas.
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After a solid opening week at the box office for Kingdom of the Planet of the Apes, the latest primate venture rolls into its second week retaining its debut count of 4,075 theaters, making it once again the most widely-available film in North America. It outperformed most expectations by earning $58.4 million in its opening weekend, and currently enjoys a six-day total of $72.32 million. This week sees another trio of films arriving in wide release, one of which holds a good chance of toppling reigning box office title holder from its top spot.
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The Fall Guy began its theatrical run last weekend with a three-day haul of $27.75 million from 4,002 locations. While it didn’t meet most expectations, the lack of major contenders easily earned it a spot as the biggest movie of the week at the domestic box office. The Ryan Gosling and Emily Blunt stuntman action-comedy will inevitably drop into second place this week as the latest from the Planet of the Apes franchise arrives in theaters with the release of Kingdom of the Planet of the Apes.
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After having only one wide release debut last week (Bleecker Street’s Dream Horse in 1,254 locations), this week we see the arrival of two highly-anticipated films. The widest release will be Walt-Disney’s Cruella, which tells the story of the infamous “Cruella de Vil” of 101 Dalmatians fame. The crime comedy starring Emma Stone as the title villainess opens in 3,892 theaters. Coming in second this week with 3,726 theaters is the release of Paramount Pictures’s A Quiet Place: Part II, returning Emily Blunt as Evelyn Abbott and helmed by off-screen husband John Krasinski. The original movie collected $335 million worldwide.
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The box office had mixed results during February with Birds of Prey missing expectations by a huge margin, but Sonic the Hedgehog did well enough to almost make up the difference. This March, there are three films that will almost certainly reach $100 million domestically: Onward, A Quiet Place: Part II, and Mulan. In fact, all three at least have a slim shot at $200 million domestically. By comparison, last MarchCaptain Marvel was released, which earned more than $400 million, while Us and Dumbo earned close to $300 million combined. I don’t think the top three films this year will match last year’s top three, or even come particularly close, and I fear 2020 will fall behind 2019 in the year-over-year comparison. So much for that lead 2020 built up in January.
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The Writers Guild of America has a lot of categories, as they hand out nearly 30 awards. However, only three of them are for theatrical releases. The list of nominees include several major Awards Season players and not a lot of surprises. There are some clear patterns emerging, but also some surprising results.
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A Quiet Place was expected to be a box office hit, but very few people thought it would be this big a hit. It pulled in over $300 million on a budget of just $17 million. It had a very interesting hook, but is that all it had? Does it do something with the hook?
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Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office.
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A family of four must navigate their lives in silence after mysterious creatures that hunt by sound threaten their survival. If they hear you, they hunt you.
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While there are a lot of films on this week’s list, none of them look like they will be box office hits. Southside with You is one of the best releases this week, but it is playing in over 800 theaters, which is likely too many. There are a number of other films that are worth seeing, like Floyd Norman: An Animated Life, but most of them are playing on Video on Demand, so their box office chances are nearly zero.
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John Hollar, a struggling NYC artist is forced to navigate the small middle-American town he left behind when news of his mother's illness brings him home. Back in the house he grew up in, John is immediately swept up in the problems of his dysfunctional family, high-school rival and an over-eager ex-girlfriend as he faces impending fatherhood with his girlfriend in New York.
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2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth.
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Monsters Inc. was a huge hit in 2001 earning close to $300 million domestically and more than $550 million worldwide. This summer, a prequel, Monsters University, came out and it earned a little less domestically, but more than $700 million worldwide. If you factor in inflation and the growth of international markets, this isn't as strong a run as the predecessor had, but still very profitable. Is the quality similar, i.e., not quite as strong as the original, but still worth checking out? And are any of the four releases worth picking up?
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December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards.
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The end of the year has a few limited releases trying to get a last chance for Oscar glory with Oscar qualifying runs. Promised Land is clearly the biggest film of the week, but its reviews suggest it won't even thrive in limited release.
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It's a slower week for limited releases, but there are a couple that are earning overwhelmingly positive reviews. Holy Motors is one of them, but while it should do well in art house theaters, its chances at mainstream success is a lot more limited. The Sessions reviews are even better and it has a lot more mainstream appeal. It is never easy for a limited release, but of all of the film's on this week's list, this one has the best shot at the box office.
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