Tina Gordon Chism

Best known as a Screenwriter based on credits in that role in 5 films, with $156,788,507 worldwide aggregate box office (rank #1,649)
Best-known technical roles: What Men Want (Screenwriter), What Men Want (Story Creator), Drumline (Screenwriter), ATL (Screenwriter), Peeples (Director)
Most productive collaborators: Taraji P. Henson, Adam Shankman, Tracy Morgan, Aldis Hodge, Alex Gregory
                                    

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesScreenwriter5$141,357,693$15,430,814$156,788,507
Story Creator1$54,611,903$15,300,000$69,911,903
Director1$9,177,065$130,101$9,307,166

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Director at the Domestic Box Office (Rank 2,301-2,400) 2,318 $9,177,065
Top Grossing Screenwriter at the Domestic Box Office (Rank 901-1,000) 983 $141,357,693
Top Grossing Story Creator at the Domestic Box Office (Rank 1,201-1,300) 1,244 $54,611,903
Top Grossing Director at the International Box Office (Rank 9,901-10,000) 9,950 $130,101
Top Grossing Screenwriter at the International Box Office (Rank 3,501-3,600) 3,520 $15,430,814
Top Grossing Story Creator at the International Box Office (Rank 1,801-1,900) 1,899 $15,300,000
Top Grossing Director at the Worldwide Box Office (Rank 3,801-3,900) 3,820 $9,307,166
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,601-1,700) 1,649 $156,788,507
Top Grossing Story Creator at the Worldwide Box Office (Rank 1,501-1,600) 1,508 $69,911,903

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Feb 8, 2019What Men Want Screenwriter
Story by		 $54,611,903$15,300,000$69,911,903
Sep 21, 2018Nappily Ever After Screenwriter
May 10, 2013Peeples Director
Screenwriter		 $9,177,065$130,101$9,307,166
Mar 31, 2006ATL Screenwriter $21,170,563$21,170,563
Dec 13, 2002Drumline Screenwriter $56,398,162$713$56,398,875
 
Averages $35,339,423$5,143,605$39,197,127
Totals 5 $141,357,693$15,430,814$156,788,507


Director Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
May 10, 2013Peeples $4,611,5342,041$9,177,065$9,307,16698.6%
 
Averages $4,611,5342,041$9,177,065$9,307,16698.6%
Totals 1 $9,177,065$9,307,166


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Feb 8, 2019What Men Want $18,232,0872,912$54,611,903$69,911,90378.1%
Sep 21, 2018Nappily Ever After
May 10, 2013Peeples $4,611,5342,041$9,177,065$9,307,16698.6%
Mar 31, 2006ATL $11,554,4041,602$21,170,563$21,170,563100.0%
Dec 13, 2002Drumline $12,604,7051,837$56,398,162$56,398,875100.0%
 
Averages $11,750,6832,098$35,339,423$39,197,12794.2%
Totals 5 $141,357,693$156,788,507

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Director at the Domestic Box Office (Rank 2,301-2,400) 2,318 $9,177,065
Top Grossing Screenwriter at the Domestic Box Office (Rank 901-1,000) 983 $141,357,693
Top Grossing Story Creator at the Domestic Box Office (Rank 1,201-1,300) 1,244 $54,611,903
Top Grossing Director at the International Box Office (Rank 9,901-10,000) 9,950 $130,101
Top Grossing Screenwriter at the International Box Office (Rank 3,501-3,600) 3,520 $15,430,814
Top Grossing Story Creator at the International Box Office (Rank 1,801-1,900) 1,899 $15,300,000
Top Grossing Director at the Worldwide Box Office (Rank 3,801-3,900) 3,820 $9,307,166
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,601-1,700) 1,649 $156,788,507
Top Grossing Story Creator at the Worldwide Box Office (Rank 1,501-1,600) 1,508 $69,911,903