| Best known as a Director based on credits in that role in 4 films, with $689 worldwide aggregate box office (rank #22,292) |
| Born: September 7, 1981 (44 years old) |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| As an Actor | Supporting | 2 | $0 | $937 | $937 |
| Leading | 1 | $0 | $180,340 | $180,340 | |
| In Technical Roles | Director | 4 | $0 | $689 | $689 |
| Screenwriter | 1 | $0 | $689 | $689 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
November 10th, 2017
It is not a particularly long list this week, but fortunately we do have one top-notch limited release: Three Billboards Outside Ebbing, Missouri. This film will likely pick up at least a few Awards Season nominations. Also worth checking out are Destination Unknown, Mayhem, Thelma, and Gold Star. Although I’m a little biased when it comes to that last one, as we helped writer / director / star Victoria Negri create her business plan to get that film produced. It is also free on Video on Demand, if you have an Amazon Prime account, so you don’t have to risk any money to watch it, if you have already signed up for Amazon Prime.
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June 20th, 2017
GLOW is a new Netflix TV show loosely based on the real-life G.L.O.W., a.k.a. Gorgeous Ladies of Wrestling, a late 1980s female wrestling show. It is a fictional account of how G.L.O.W. got started, but is it worth checking out? Does it take this obviously sensational material and create real drama? Or is it exploitative and do a disservice to G.L.O.W.’s legacy?
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Nov 10, 2017 | Bitch | Jill Hart | $689 | $689 | |
| Sep 4, 2015 | Contracted 2 | Crystal Young | $180,340 | $180,340 | |
| May 13, 2011 | Neds | $248 | $248 | ||
| Averages | n/a | $60,426 | $60,426 | ||
| Totals | 3 | n/a | $181,277 | $181,277 | |
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Sep 4, 2015 | Contracted 2 | $180,340 | ||||
| Averages | n/a | n/a | n/a | $180,340 | 0.0% | |
| Totals | 1 | n/a | $180,340 | |||
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Nov 10, 2017 | Bitch | $689 | ||||
| May 13, 2011 | Neds | $248 | ||||
| Averages | n/a | n/a | n/a | $469 | 0.0% | |
| Totals | 2 | n/a | $937 | |||
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Oct 3, 2025 | Love, Danielle | Director | |||
| Sep 17, 2021 | Collection | Director | |||
| Jan 18, 2019 | Egg | Director | |||
| Nov 10, 2017 | Bitch | Director Screenwriter |
$689 | $689 | |
| Averages | n/a | $689 | $689 | ||
| Totals | 4 | n/a | $689 | $689 | |
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Oct 3, 2025 | Love, Danielle | |||||
| Sep 17, 2021 | Collection | |||||
| Jan 18, 2019 | Egg | |||||
| Nov 10, 2017 | Bitch | $689 | ||||
| Averages | n/a | n/a | n/a | $689 | 0.0% | |
| Totals | 4 | n/a | $689 | |||
Register with The Numbers for free to customize this chart.
| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Nov 10, 2017 | Bitch | $689 | ||||
| Averages | n/a | n/a | n/a | $689 | 0.0% | |
| Totals | 1 | n/a | $689 | |||
