Jane Schoenbrun

Best known as a Director based on credits in that role in 2 films, with $5,434,648 worldwide aggregate box office (rank #4,516)
Best-known technical roles: I Saw the TV Glow (Director), I Saw the TV Glow (Screenwriter), We’re All Going to the World’s Fair (Director), We’re All Going to the World’s Fair (Screenwriter), We’re All Going to the World’s Fair (Editor)
Most productive collaborators: Anna Cobb, Michael J. Rogers, Alex G, Daniel Patrick Carbone, Hannah Dweck
                                    

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesDirector2$5,050,877$383,771$5,434,648
Screenwriter2$5,050,877$383,771$5,434,648
Editor1$101,178$5,466$106,644
Executive Producer1$0$0$0

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Director at the Domestic Box Office (Rank 2,601-2,700) 2,646 $5,050,877
Top Grossing Editor at the Domestic Box Office (Rank 2,301-2,400) 2,365 $101,178
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,701-4,800) 4,798 $5,050,877
Top Grossing Director at the International Box Office (Rank 7,401-7,500) 7,474 $383,771
Top Grossing Editor at the International Box Office (Rank 3,001-3,100) 3,010 $5,466
Top Grossing Screenwriter at the International Box Office (Rank 6,301-6,400) 6,373 $383,771
Top Grossing Director at the Worldwide Box Office (Rank 4,501-4,600) 4,516 $5,434,648
Top Grossing Editor at the Worldwide Box Office (Rank 2,901-3,000) 2,985 $106,644
Top Grossing Screenwriter at the Worldwide Box Office (Rank 6,301-6,400) 6,394 $5,434,648

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


All Acting Credits



All Technical Credits

Announced (Undated)

She’s Nonbinary

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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
May 3, 2024I Saw the TV Glow Director
Screenwriter		 $4,949,699$378,305$5,328,004
Apr 15, 2022We’re All Going to the Worl… Director
Screenwriter
Editor		 $101,178$5,466$106,644
 
Averages $2,525,439$191,886$2,717,324
Totals 2 $5,050,877$383,771$5,434,648


Director Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
May 3, 2024I Saw the TV Glow $119,015469$4,949,699$5,328,00492.9%
Apr 15, 2022We’re All Going to the… $12,75041$101,178$106,64494.9%
 
Averages $65,883255$2,525,439$2,717,32493.9%
Totals 2 $5,050,877$5,434,648


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
May 3, 2024I Saw the TV Glow $119,015469$4,949,699$5,328,00492.9%
Apr 15, 2022We’re All Going to the… $12,75041$101,178$106,64494.9%
 
Averages $65,883255$2,525,439$2,717,32493.9%
Totals 2 $5,050,877$5,434,648

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Director at the Domestic Box Office (Rank 2,601-2,700) 2,646 $5,050,877
Top Grossing Editor at the Domestic Box Office (Rank 2,301-2,400) 2,365 $101,178
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,701-4,800) 4,798 $5,050,877
Top Grossing Director at the International Box Office (Rank 7,401-7,500) 7,474 $383,771
Top Grossing Editor at the International Box Office (Rank 3,001-3,100) 3,010 $5,466
Top Grossing Screenwriter at the International Box Office (Rank 6,301-6,400) 6,373 $383,771
Top Grossing Director at the Worldwide Box Office (Rank 4,501-4,600) 4,516 $5,434,648
Top Grossing Editor at the Worldwide Box Office (Rank 2,901-3,000) 2,985 $106,644
Top Grossing Screenwriter at the Worldwide Box Office (Rank 6,301-6,400) 6,394 $5,434,648