Seth M. Sherwood

Best known as a Screenwriter based on a credit in that role in 1 film, with $18,294,883 worldwide aggregate box office (rank #4,811)
Best-known technical roles: Hell Fest (Screenwriter)
Most productive collaborators: Amy Forsyth, Gregory Plotkin, Reign Edwards, Blair Butler, Bex Taylor Klaus
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesScreenwriter1$11,107,431$7,187,452$18,294,883
Executive Producer1$0$95,960$95,960

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 3,901-4,000) 3,972 $11,107,431
Top Grossing Executive Producer at the International Box Office (Rank 8,801-8,900) 8,873 $95,960
Top Grossing Screenwriter at the International Box Office (Rank 4,201-4,300) 4,208 $7,187,452
Top Grossing Executive Producer at the Worldwide Box Office (Rank 10,801-10,900) 10,883 $95,960
Top Grossing Screenwriter at the Worldwide Box Office (Rank 4,801-4,900) 4,811 $18,294,883

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2018 Preview: September

September 1st, 2018

The Predator

Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month. More...

All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Sep 28, 2018Hell Fest Screenwriter $11,107,431$7,187,452$18,294,883
Jan 5, 2018Day of the Dead: Bloodline Executive Producer $95,960$95,960
 
Averages $11,107,431$3,641,706$9,195,422
Totals 2 $11,107,431$7,283,412$18,390,843


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Sep 28, 2018Hell Fest $5,130,9632,297$11,107,431$18,294,88360.7%
 
Averages $5,130,9632,297$11,107,431$18,294,88360.7%
Totals 1 $11,107,431$18,294,883

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 3,901-4,000) 3,972 $11,107,431
Top Grossing Executive Producer at the International Box Office (Rank 8,801-8,900) 8,873 $95,960
Top Grossing Screenwriter at the International Box Office (Rank 4,201-4,300) 4,208 $7,187,452
Top Grossing Executive Producer at the Worldwide Box Office (Rank 10,801-10,900) 10,883 $95,960
Top Grossing Screenwriter at the Worldwide Box Office (Rank 4,801-4,900) 4,811 $18,294,883